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Antarctica as cultural critique : the gendered politics of scientific exploration and climate change

Autor: Elena Glasberg
Editora: New York : Palgrave Macmillan, 2012.
Séries: Palgrave Macmillan's critical studies in gender, sexuality, and culture.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Beginning with what was once the "last place on earth," this book redirects discussions within the history of exploration and of globalization. Glasbergtakes on persistent cliche;s of Antarctica as exceptional territory for masculine heroics, untouched wilderness, utopia for international science, or symbol of hope for capitalism or a post-ecological future. Arguing that Antarctica is the most mediated place on
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Gênero/Forma: History
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Elena Glasberg
ISBN: 9780230116870 0230116876
Número OCLC: 738335500
Descrição: xxviii, 174 pages : illustrations ; 23 cm.
Conteúdos: Machine generated contents note: --
"Antarctic Convergence" and the End of the Grid * Gender and the Absent Native of Antarctic History * "Sculpting in Ice": Affective Data and the Market Flow * Roads To Pole: Territorialization Without Territory and Post Ecological Architecture * Blanking the Landscape and Disaster Capitalism * The 100th Anniversary of Antarctica's Discovery: Time to Celebrate?
Título da Série: Palgrave Macmillan's critical studies in gender, sexuality, and culture.
Responsabilidade: Elena Glasberg.

Resumo:

Arguing that Antarctica is the most mediated place on earth and thus an ideal location for testing the limits of bio-political management of population and place, this book remaps national and  Ler mais...

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schema:description""Antarctica as Cultural Critique arrives at an auspicious time in history and on earth. Amid the celebrations of the 100th anniversary of the European "race" to the last place on earth, Antarctica -- a continent of ice and without natives -- is finally emerging as a center of global concern. Once an impediment to and backdrop for heroic endeavor, the ice itself now focuses dramas of national competition. Antarctica as Cultural Critique creates complex connections between the present ice of environmental crisis and the past through visualizations and photographs of what Ursula Le Guin names the "living ice." Antarctica as Cultural Critique links to new ways of thinking human/ non-human divides and disturbs understandings of gendered relations as fixed and hierarchical, science as progressive and rational, and history as a mode of nostalgia, remembering, or simple reinvigoration of power that does not take into consideration the effects of its content and in the case of Antarctica, the radically non-human and shifting ontology of ice itself. On Ice reconfigures the controversy over climate change and disaster capitalism by understanding Antarctica as a cultural object in itself, a site of resource and data extraction, and as workplace for national science. On Ice contributes to new interest in contested/ resistant territories, messy borders, un-rational, uninhabitable, and anti-anthropomorphic attachment to territory"--"@en
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