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The anthology and the rise of the novel : from Richardson to George Eliot

Auteur : Leah Price
Éditeur : Cambridge [England] ; New York : Cambridge University Press, 2000.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"The Anthology and the Rise of the Novel brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of "the rise of the novel." Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George  Lire la suite...
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Détails

Personne nommée : Samuel Richardson; George Eliot; Eliot, George <1819-1880> - Critique et interprétation.; Richardson, Samuel <1689-1761> - Critique et interprétation.; Samuel Richardson; George Eliot; George Eliot; Samuel Richardson; Samuel Richardson; George Eliot; George Eliot; Samuel Richardson
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Leah Price
ISBN : 0521782082 9780521782081
Numéro OCLC : 42980142
Description : vii, 224 pages ; 24 cm
Contenu : Richardson's economies of scale --
Cultures of the commonplace --
Knox's Scissor-Doings --
George Elliot and the production of consumers.
Responsabilité : Leah Price.
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Résumé :

Leah Price's book, first published in 2000, challenges established theories of 'the rise of the novel'.  Lire la suite...

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'Leah Price has written a very original, imaginative, and compelling book. Who knew that George Eliot was stalked by readers trying to claim credit for writing her novels? Or that Ann Radcliffe Lire la suite...

 
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    schema:reviewBody ""The Anthology and the Rise of the Novel brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of "the rise of the novel." Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers marketed their books to women while Victorian publishers repackaged them for men, and how editors' reproduction of old texts has shaped authors' production of new ones. This book will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms."--Jacket." ;
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