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Antoine Watteau, 1684-1721

著者: Helmut Börsch-Supan; Antoine Watteau
出版: Köln : Könemann, ©2000.
シリーズ: Masters of French art.
エディション/フォーマット:   書籍 : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
No other artist made such a mark on 18th-century painting north of the Alps as Antoine Watteau (1684-1721). In a creative phase lasting little more than a decade, he created not the large forceful works artists are often remembered for, but rather small-scale and playful pictures full of quiet charm and gentle wit. He was able to exert artistic influence because, living in a period of upheaval and decline at the end  続きを読む
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ジャンル/形式: Biography
その他のフォーマット: Online version:
Börsch-Supan, Helmut.
Antoine Watteau, 1684-1721.
Köln : Könemann, c2000
(OCoLC)606563960
関連の人物: Antoine Watteau; Antoine Watteau
資料の種類: Biography
ドキュメントの種類: 図書
すべての著者/寄与者: Helmut Börsch-Supan; Antoine Watteau
ISBN: 3829032730 9783829032735
OCLC No.: 46897023
物理形態: 140 p. : ill. (some col.) ; 33 cm.
コンテンツ: Mystery of the artist as a man --
Inset: France around 1700 --
Gersaint's shop sign --
Early work --
Scenes of military life --
Inset: Theatrical life in Paris --
Passion for the theater --
Embarkation for Cythera --
Inset: Art and fashion --
Fetes galantes --
Draftsman --
Nature, landscape, children, dogs --
Last years and legacy --
Chronology --
Glossary --
Selected bibliography --
Picture credits.
シリーズタイトル: Masters of French art.
その他のタイトル: Watteau, Meister der französischen Kunst.
Antoine Watteau
責任者: Helmut Börsch-Supan ; [translation from German, Anthea Bell in association with Cambridge Publishing Management].

概要:

No other artist made such a mark on 18th-century painting north of the Alps as Antoine Watteau (1684-1721). In a creative phase lasting little more than a decade, he created not the large forceful works artists are often remembered for, but rather small-scale and playful pictures full of quiet charm and gentle wit. He was able to exert artistic influence because, living in a period of upheaval and decline at the end of the era of Louis XIV, he had a presentiment of what was to come: a refinement of the mind and sensory perception, the Enlightenment, and with it new ideas of social justice. The developments that led to the French Revolution at the end of the century are already present in embryo beneath the surface merriment of Watteau's painting.

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