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|추가적인 물리적 형식:||Online version:
Antonin Artaud and the modern theater.
Rutherford : Fairleigh Dickinson University Press ; London ; Cranbury, N.J. : Associated University Presses, c1994
|명시된 사람:||Antonin Artaud; Antonin Artaud|
|모든 저자 / 참여자:||
Gene A Plunka
|설명:||ix, 285 p. ; 24 cm.|
|내용:||Antonin Artaud: The Suffering Shaman of the Modern Theater / Gene A. Plunka --
Comic Cruelty: Artaud and Jarry / Leonard R. Koos --
Cruelty and Cure / Jane Goodall --
From Jacques Copeau to Antonin Artaud: The Question of the Dramatic Text / Dominique Duvert --
In Search of Ritual Theater: Artaud in Mexico / Luis O. Arata --
Antonin Artaud: Mythical Impact in Balinese Theater / Bettina L. Knapp --
"All The Great Myths Are Dark": Artaud and Fascism / Naomi Greene --
From Ritual to Theater and Its Double / William M.S. Baker --
Artaudian Aspects of Korean Shamanist Drama / Daniel A. Kister --
Artaud and Witkacy: A Relationship Based on the Mystery of Existence / Christine Kiebuzinska --
Representation and De-realization: Artaud, Genet, and Sartre / Thomas Akstens --
Artaudian Fulfillment? Antonin Artaud and the Work of Peter Weiss / Reinhold Grimm and Caroline Molina y Vedia. Artaud's Legacy in the Collectivist Avant-Garde: Community and Representation in Works by Grotowski, Chaikin, and Schechner / Robert Baker-White --
Artaud and Arrabal: The Aesthetics of the Erotic / Thomas J. Donahue --
Dualities, Complementary Characters, and Role Reversals in Artaudian Theater: Shaffer, Arrabal, and Shepard / Peter L. Podol --
Artaudian Affinities in the Theater of Antonio Buero-Vallejo / Marion Peter Holt.
|책임:||edited by Gene A. Plunka.|
|더 많은 정보:|
Artaud exerted a profound impact on the theater. As a theatrical innovator and theorist of modern dramaturgy, he has had considerable influence among playwrights and actors.
Some of the twentieth century's most creative theater directors have been Artaud's disciples, and his theoretical writings have inspired such diverse theatrical groups as Jerzy Grotowski's Laboratory Theatre, John Cage's "happenings" of the 1950s and 1960s, Joseph Chaikin's Open Theatre, Julian Beck and Judith Malina's Living Theatre, Richard Schechner's Performance Group, and Ariane Mnouchknie's Theatre de Soleil.
The first section of this anthology clarifies Artaud's theories and provides insight about his life and ideology. The role that comedy plays in Artaud's conception of theater is examined as well as the concepts of cruelty and cure, explicating how Artaud used these terms in relationship to the metaphor of the theater as plague. Various influences on Artaud's theories of drama are discussed as is the influence of Mayan culture and Balinese rituals.
The second group of essays establishes Artaud's influence on, and relationship to, several significant twentieth-century dramatists, innovative performance artists, and seminal theater movements. Artaud's theories on Oriental theater are applied to modern cultural anthropology and to absurdist drama. Also examined are the similarities between Artaud and Polish playwright Stanislaw Ignacy Witkiewicz as are Artaudian elements in a quintessential example of Theatre of Cruelty.
Artaud's vision of community is analyzed by its application to the environmental theater of the 1960s and 1970s. Last to be discussed is Artaud's influence on Spain's most significant post-Lorcan dramatist, Antonio Buero-Vallejo.