pular para conteúdo
Antonín Dvořák; musician and craftsman. Ver prévia deste item
FecharVer prévia deste item
Checando...

Antonín Dvořák; musician and craftsman.

Autor: John Clapham
Editora: New York, St. Martin's Press [1966]
Edição/Formato   Livro : Biografia : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Of all Slavonic composers Dvorak stands nearest to the great Viennese classical tradition, yet (paradoxically) he is intensely national and as personal a composer as has ever lived. (This is a paradox within a paradox: so many "national" composers seem to have sunk personality in nationality.) He is, as someone has said, "the most musical composer since Schubert" -- who, as the article reprinted on pp. 296-305 shows  Ler mais...
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Formato Físico Adicional: Online version:
Clapham, John.
Antonín Dvořák.
New York, St. Martin's Press [1966]
(OCoLC)639395099
Pessoa Denominada: Antonín Dvořák
Tipo de Material: Biografia
Tipo de Documento: Livro
Todos os Autores / Contribuintes: John Clapham
Número OCLC: 228812
Descrição: xviii, 341 p. geneal. table, music, plates (incl. facsims., ports.) 26 cm.
Conteúdos: Foreword / Gerald Abraham --
Preface --
Note on pronunciation --
Part one : The man and his art. Biographical sketch --
Methods of work and features of style --
Part two : Instrumental works. The symphonies --
The concertos --
Programme music and overtures --
Miscellaneous orchestral works --
Chamber music for strings --
Chamber music with pianoforte --
Pianoforte music --
Compositions for violin and violoncello --
Part three : Vocal music. The songs --
Cantata, mass and oratorio --
Part-songs --
The operas --
Appendices. Genealogical tree --
Dvorak on Schubert, with a letter from Sir George Grove --
Catalogue of completed works --
Works in order of composition --
Select bibliography.

Resumo:

Of all Slavonic composers Dvorak stands nearest to the great Viennese classical tradition, yet (paradoxically) he is intensely national and as personal a composer as has ever lived. (This is a paradox within a paradox: so many "national" composers seem to have sunk personality in nationality.) He is, as someone has said, "the most musical composer since Schubert" -- who, as the article reprinted on pp. 296-305 shows us, was his idol and whom he criticized in terms that often apply to himself -- and the very ease with which he seems not only to have poured out melody but to have thought contrapuntally, so that even his mere doodling is apt to be in invertible counterpoint, has sometimes led (a third paradox) to undervaluation of his powers. - Foreword.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.

Ítens Similares

Assuntos Relacionados:(2)

Listas de usuários com este item (5)

Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/228812>
library:oclcnum"228812"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/228812>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
rdf:typeschema:Person
schema:name"Dvořák, Antonín, 1841-1904"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:author
schema:datePublished"1966"
schema:description"Of all Slavonic composers Dvorak stands nearest to the great Viennese classical tradition, yet (paradoxically) he is intensely national and as personal a composer as has ever lived. (This is a paradox within a paradox: so many "national" composers seem to have sunk personality in nationality.) He is, as someone has said, "the most musical composer since Schubert" -- who, as the article reprinted on pp. 296-305 shows us, was his idol and whom he criticized in terms that often apply to himself -- and the very ease with which he seems not only to have poured out melody but to have thought contrapuntally, so that even his mere doodling is apt to be in invertible counterpoint, has sometimes led (a third paradox) to undervaluation of his powers. - Foreword."
schema:description"Foreword / Gerald Abraham -- Preface -- Note on pronunciation -- Part one : The man and his art. Biographical sketch -- Methods of work and features of style -- Part two : Instrumental works. The symphonies -- The concertos -- Programme music and overtures -- Miscellaneous orchestral works -- Chamber music for strings -- Chamber music with pianoforte -- Pianoforte music -- Compositions for violin and violoncello -- Part three : Vocal music. The songs -- Cantata, mass and oratorio -- Part-songs -- The operas -- Appendices. Genealogical tree -- Dvorak on Schubert, with a letter from Sir George Grove -- Catalogue of completed works -- Works in order of composition -- Select bibliography."
schema:exampleOfWork<http://worldcat.org/entity/work/id/430509305>
schema:genre"Biography"
schema:inLanguage"en"
schema:name"Antonín Dvořák; musician and craftsman."
schema:numberOfPages"341"
schema:publisher

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.