doorgaan naar inhoud
An application of the musical style of jazz saxaphone to the double bass Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

An application of the musical style of jazz saxaphone to the double bass

Auteur: Gareth Hill
Uitgever: 2008.
Proefschrift: Thesis (M.Phil. Music) -- Australian National University, 2008.
Editie/Formaat:   Scriptie/Proefschrift : Scriptie/Dissertatie : Manuscript : e-Boek   Archiefmateriaal : Engels
Database:WorldCat
Samenvatting:
"The aim of this dissertation is to explore improvising on the double bass through an investigation of the improvised solos of prominent jazz saxophonists. This involves a melodically focused analysis of solos of Charlie Parker, Dexter Gordon, Sonny Rollins, Joe Henderson, Oliver Nelson and Eric Dolphy. My melodic analysis is in aid of furthering my melodic concept on the double bass and consists largely of analysis  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

 

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genoemd persoon: Eric Dolphy; Dexter Gordon; Joe Henderson; Oliver Nelson; Charlie Parker; Sonny Rollins
Genre: Scriptie/Dissertatie, Manuscript, Internetbron
Soort document: Internetbron, Archiefmateriaal
Alle auteurs / medewerkers: Gareth Hill
OCLC-nummer: 845667962
Beschrijving: 1 v. (viii, 88 leaves, various pagings)
Verantwoordelijkheid: by Gareth Hill.

Fragment:

"The aim of this dissertation is to explore improvising on the double bass through an investigation of the improvised solos of prominent jazz saxophonists. This involves a melodically focused analysis of solos of Charlie Parker, Dexter Gordon, Sonny Rollins, Joe Henderson, Oliver Nelson and Eric Dolphy. My melodic analysis is in aid of furthering my melodic concept on the double bass and consists largely of analysis in three areas: intervallic content, phrasing and melodic devices. It is through this process that I hope to develop techniques for the double bass and further my own concept for improvising. The disparity between saxophone and the double bass means that there is much to be gained from transferring ideas from each instrument. There are differences in dexterity, phrasing abilities and acoustics that have allowed the saxophone to develop an improvising style entirely different to that of many double bassists. While saxophonists I enjoy, solo in an exciting and complex way, my soloing on the double bass is generally slower, less melodic and lacking in intensity and concept. I believe that this study can give great insights into my playing as well as creating a model which may be used by others to develop their own improvising on the double bass."

Beoordelingen

Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


<http://www.worldcat.org/oclc/845667962>
bgn:inSupportOf"Thesis (M.Phil. Music) -- Australian National University, 2008."
library:oclcnum"845667962"
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
rdf:typej.0:Web_document
rdf:typebgn:Thesis
rdf:valueUnknown value: mss
rdf:valueUnknown value: deg
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2008"
schema:description""The aim of this dissertation is to explore improvising on the double bass through an investigation of the improvised solos of prominent jazz saxophonists. This involves a melodically focused analysis of solos of Charlie Parker, Dexter Gordon, Sonny Rollins, Joe Henderson, Oliver Nelson and Eric Dolphy. My melodic analysis is in aid of furthering my melodic concept on the double bass and consists largely of analysis in three areas: intervallic content, phrasing and melodic devices. It is through this process that I hope to develop techniques for the double bass and further my own concept for improvising. The disparity between saxophone and the double bass means that there is much to be gained from transferring ideas from each instrument. There are differences in dexterity, phrasing abilities and acoustics that have allowed the saxophone to develop an improvising style entirely different to that of many double bassists. While saxophonists I enjoy, solo in an exciting and complex way, my soloing on the double bass is generally slower, less melodic and lacking in intensity and concept. I believe that this study can give great insights into my playing as well as creating a model which may be used by others to develop their own improvising on the double bass.""@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1354105083>
schema:inLanguage"en"
schema:name"An application of the musical style of jazz saxaphone to the double bass"@en
schema:publication
schema:url<http://hdl.handle.net/1885/7162>
wdrs:describedby

Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.