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Appraising Genji : Literary Criticism and Cultural Anxiety in the Age of the Last Samurai.

Author: Patrick W Caddeau
Publisher: Ithaca : State University of New York Press, 2006.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Caddeau, Patrick W.
Appraising Genji : Literary Criticism and Cultural Anxiety in the Age of the Last Samurai.
Ithaca : State University of New York Press, ©2006
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Patrick W Caddeau
ISBN: 9780791482117 0791482111
OCLC Number: 923408109
Description: 1 online resource (230 pages)
Contents: ""Appraising Genji""; ""CONTENTS""; ""ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""CHRONOLOGY AND CONVENTIONS IN THIS BOOK""; ""INTRODUCTION""; ""1. HEIAN FANTASIES: NATIONALISM AND NOSTALGIA IN THE READING OF GENJI""; ""THE EDO PERIOD AND THE RISE OF NATIVISM""; ""2. HAGIWARA HIROMICHI: MASTERLESS SAMURAI AND ICONOCLASTIC SCHOLAR""; ""PROFOUND LOSS IN AN AGE OF ENLIGHTENMENT""; ""FROM POETRY TO POETICS""; ""OSAKA: ENCOUNTERS WITH HETERODOX LEARNING""; ""TAKIZAWA BAKIN AND THE EDO “NOVELâ€?""; ""MARKETING A NEW WAY TO READ GENJI""; ""3. FROM MORAL CONTENTION TO LITERARY PERSUASION"" ""THE DESIGN OF THE MONOGATARI AND NORINAGAâ€?SMONO NO AWARE THEORY""""THE MAIN POINT OF THE MONOGATARI""; ""COMMENTARIES ON GENJI""; ""TRANSCENDING THE LIMITATIONS OF TRADITIONALSTRUCTURE AND FORMAT""; ""GUIDING THE READER""; ""CONCLUSION""; ""4. EXPOSING THE SECRETS OF THE AUTHORâ€?S BRUSH""; ""HISTORICAL SOURCES FOR THE “PRINCIPLES OF COMPOSITIONâ€?""; ""“PRINCIPLES OF COMPOSITIONâ€? AND LITERARY STYLE""; ""CONCLUSION""; ""5. AMBIGUITY AND THE RESPONSIVE READER""; ""“PRINCIPLES OF COMPOSITIONâ€? AND THESTRUCTURE OF GENJI AS A WHOLE"" ""GAPS IN THE NARRATIVE AND HIROMICHIâ€?S THEORYOF AMBIGUITY""""TECHNIQUES AND TERMINOLOGY""; ""“PRINCIPLES OF COMPOSITIONâ€? UNIQUE TO THEHYO ̄SHAKU IN GENJI COMMENTARY""; ""“Major and Minorâ€? or “Principal and Auxiliaryâ€?Characters (Shukaku)""; ""“Lead and Secondary Charactersâ€?""; ""“Correspondingâ€? or “Contrastingâ€? Characters""; ""“Opposingâ€? Characters or “Character Foilsâ€?""; ""“Retroactive Parallelâ€? and “Retroactive Correspondenceâ€?""; ""“Narrative Interludeâ€?""; ""“Foreshadowingâ€?""; ""“Comparative Descriptionâ€?"" ""€œControl of Narrative Paceâ€?""""“Reversalâ€?""; ""“Ellipsisâ€?""; ""“Lingering Presenceâ€? or “Resonanceâ€?""; ""“Narrative Seedâ€?""; ""“Retributionâ€?""; ""“Allegoryâ€?""; ""“Contextâ€?""; ""TERMS FROM PREVIOUS GENJI COMMENTARIES""; ""“Close Correspondenceâ€?""; ""“Textual Parallelism or Intertextualityâ€?""; ""“Planningâ€? or “Discretionâ€?""; ""“Authorial Intrusionâ€?""; ""“Aesthetic After-effectâ€? and “Aesthetic Satisfactionâ€?""; ""CONCLUSION""; ""6. TRANSLATING GENJI INTO THE MODERN IDIOM""; ""TREE SPIRITS AND APPARITIONS"" ""THE DISAPPEARANCE OF UKIFUNE""""THE PROBLEM OF EDO""; ""CULTURAL ANXIETY AND THE FIRST TRANSLATION OFGENJI INTO ENGLISH""; ""GENJI AND THE ESSENCE OF THE MODERN NOVEL""; ""CONCLUSION""; ""Notes""; ""Appendix I""; ""CHARACTER GLOSSARY OF PREMODERN NAMES, TITLES, AND TERMS IN CHINESE AND JAPANESE""; ""Appendix II""; ""LIST OF MAJOR COMMENTARIES ON GENJI""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Y""; ""Z""

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