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Architecture in photographs

作者: Gordon Baldwin; J. Paul Getty Museum,
出版商: Los Angeles : The J. Paul Getty Museum, [2013] ©2013
版本/格式:   Print book : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
From the invention of photography in 1839, architecture was second only to portraiture as the most favored subject for the camera. The fact that buildings were immobile was advantageous for the long exposures needed in the early days, but architectural images were popular for other reasons: they documented dynastic, civic, and religious achievements; educated architects about construction and decorative details; and  再讀一些...
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詳細書目

類型/形式: Exhibition catalogs
History
Exhibitions
Obras ilustradas Exposiciones
文件類型: 圖書
所有的作者/貢獻者: Gordon Baldwin; J. Paul Getty Museum,
ISBN: 9781606061527 1606061526
OCLC系統控制編碼: 828056110
注意: "This book is published on the occasion of the exhibition In focus: architecture, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 15, 2013, to March 2, 2014"--ECIP data view.
描述: 111 pages : illustrations ; 23 cm
其他題名: In focus, architecture.
責任: Gordon Baldwin.

摘要:

Highlights images of architecture from Greek temples to Gothic cathedrals to modern-day skyscrapers. This title spans the history of the medium and includes works in a variety of photographic  再讀一些...

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連結資料


Primary Entity

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   schema:description "From the invention of photography in 1839, architecture was second only to portraiture as the most favored subject for the camera. The fact that buildings were immobile was advantageous for the long exposures needed in the early days, but architectural images were popular for other reasons: they documented dynastic, civic, and religious achievements; educated architects about construction and decorative details; and whetted curiosity about distant lands. Later photographers found innovative ways to depict structures of every era and type. Arranged chronologically, 'Architecture in Photographs' spans the history of the medium and includes works in a variety of photographic processes by such distinguished nineteenth-century practitioners as Henri le Secq, Gustave Le Gray, and Roger Fenton; twentieth-century photographers Eugène Atget, Alfred Stieglitz, and Walker Evans; contemporary artists Ed Ruscha, Lewis Baltz, and Steven Shore; and younger image makers Catherine Opie and Michael Wesely."@en ;
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