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Archive fever : a Freudian impression

Autore: Jacques Derrida; Eric Prenowitz
Editore: Chicago : University of Chicago Press, 1996.
Serie: Religion and postmodernism.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully occasioned by a deconstructive analysis of the notion of archiving. The archival concept has of late played a pivotal role in critical debate. A place of origin, yet of perpetuity, a place of stasis and order, yet of discovery, the notion of archive houses a fascinating
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Dettagli

Persona incaricata: Sigmund Freud; Sigmund Freud
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Jacques Derrida; Eric Prenowitz
ISBN: 0226143368 9780226143361
Numero OCLC: 34752547
Note: Originally presented as a lecture June 5, 1994, at an international colloquium entitled: Memory : the Question of Archives in London, England.
Descrizione: 113 pages ; 22 cm.
Titolo della serie: Religion and postmodernism.
Altri titoli: Mal d'archive.
Responsabilità: Jacques Derrida ; translated by Eric Prenowitz.
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Abstract:

In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully occasioned by a deconstructive analysis of the notion of archiving. The archival concept has of late played a pivotal role in critical debate. A place of origin, yet of perpetuity, a place of stasis and order, yet of discovery, the notion of archive houses a fascinating complex of diverse, and often disparate, meanings.

As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual.

Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.

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