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Ars et ingenium : the embodiment of imagination in Francesco di Giorgio Martini's drawings

Author: Parī Riyāḥī
Publisher: London ; New York : Routledge, Taylor & Francis Group, 2015.
Series: Routledge research in architecture.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Riyāḥī, Parī.
Ars et ingenium
(DLC) 2014029237
(OCoLC)887856300
Named Person: Francesco di Giorgio Martini; Francesco di Giorgio Martini
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Parī Riyāḥī
ISBN: 9781317755999 1317755995
OCLC Number: 903488940
Description: 1 online resource.
Contents: Introduction --
Writing the project of architecture --
Drawing the lines of theory --
Interlaching ingegno, inventio, and fantasia into the fabric of drawing --
A multifaceted mirror, drawing's different faces --
postscript.
Series Title: Routledge research in architecture.
Responsibility: Pari Riahi.

Abstract:

"When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco's written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco's work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media"--

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