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Art after appropriation : essays on art in the 1990s

Author: John C Welchman
Publisher: Amsterdam : G+B Arts International, ©2001.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Beginning with an account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, this study creates a matrix of inflections and refusals around the culture of taking.
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Document Type: Book
All Authors / Contributors: John C Welchman
ISBN: 9057010437 9789057010439
OCLC Number: 48395406
Description: 306 pages : illustrations (some color) ; 26 cm
Contents: Introduction. Global nets: appropriation and postmodernity --
Photographies, counter-revolution and second worlds: allegories by design, 1989 --
Photographies, counter-revolution and second worlds: releases and counter-appropriations, 1989 --
New bodies: the medical venus and the techno-grotesque, 1993-1994 --
Faces, boxes and The moves: on travelling video cultures, 1993 --
Public art and the spectacle of money: on art rebate/arte reembolso, 1993 --
'Peeping over the wall': narcissism in the 1990s, 1995 --
Parametrology: from the white cube to the rainbow net, 1996 --
Culture/cuts: post-appropriation in the work of Cody Hyun Choi, 1998 --
Some horizons of medialisation: the rainbow net, 1999.
Responsibility: John C. Welchman.

Abstract:

Beginning with an account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, this study creates a matrix of inflections and refusals around the culture of taking.

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