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Art and revolution in Latin America, 1910-1990

Author: David Craven
Publisher: New Haven : Yale University Press, ©2002.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"In this book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks  Read more...
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: David Craven
ISBN: 0300082118 9780300082111 9780300120462 030012046X
OCLC Number: 48383327
Description: x, 228 pages : illustrations (some color) ; 30 cm
Contents: Introduction. Revolving definitions of the word "revolution". A history of the word "revolution" ; Representations of the modern body politic ; Revolutionary forms of democracy --
The Mexican Revolution (1910-1940). The institutionalization of the revolution in the 1920s ; The Ministry of Education murals (1923-1928) and the new mass politics ; Orozco's murals in the Escuela Nacional Preparatoria (1926-1927) ; Chapingo (1926) and the Palacio Nacional (1929-1935) ; The Taller de Gráfica Popular and Estampas de la Revolución ; Critique: the "socialization of art" --
a future challenge --
The Cuban Revolution (1959-1989). Cultural policy, public institutions, and dialogical art ; Cultural democracy and popular engagement with art ; Autogestion and the socialization of art ; Popular culture versus populism ; From Cuban pop art through volumen uno (1959-1989) ; Critique: successes and shortcomings on the thirtieth anniversary --
The Nicaraguan Revolution (1979-1990). Protorevolutionary developments prior to 1979 ; Cultural policy in Nicaragua during the 1980s ; Particular artworks exemplary of the 1980s ; New form of patronage and attendant debates in the 1980s ; Contradictions in the 1980s within the revolution --
Appendices. A. Diego Rivera, 1929: "New plan of study, Escuela Nacional de Artes Plásticas of Mexico" ; B. Gerardo Mosquera, 1985: "The social function of art in Cuba since the Revolution of 1959" ; C. Ernesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: a culture that is revolutionary, popular, national, and anti-imperialist" ; D. Interview with Ernesto Cardenal, 1983 ; E. Interview with Gioconda Bell of the FSLN, 1990 ; F. Interview with Nicaraguan artists in the UNAP, 1990.
Responsibility: David Craven.

Abstract:

"In this book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced - and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders."--Jacket.

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