| 内容： |
Pt. 1. Features of resemblance and of contrast between the arts and the sciences. 1. Introduction --
2. Scientific criteria in the communication of feeling by imaginative art --
3. The communication of measurement in modern physical science --
Pt. 2. Examples of imaginative stimulus through structure and symbolism. 4. Introduction --
5. An approach to Beethoven's final music for string quartet --
6. Ancient Chinese carvings in jade, and their appeal to the modern western mind --
7. From Byzantine manuscripts and ivories to the Gothic sculpture of Chartres --
8. After seeing the Russian Ballet 'Petrouchka' --
9. Fantasy and a real world, in the poetry of Walter de la Mare Pt. 3. Historical failure to maintain a balance between the scientific and the imaginative. 10. Introduction --
11. The Persian and Arab artist-mathematicians of medieval Bagdad --
12. Greek, Moslem and Chinese design in the Mongol scientific instruments of A.D. 1279 --
13. Conflicts between the logical and the mystical mind, from ancient Chinese to recent Europeans --
14. Symbolism as a future clue to conciliation between science, religion and art --
Part 4. Leonardo da Vinci as scientist in art: his fantastic drawings and the prototype of scientific uneasiness in an unscientific community --
15. Introduction --
16. The problem of Leonardo's imaginative drawings --
17. The nature and evolution of Leonardo's scientific mind --
18. Sources of fantasy in a scientific mind --
19. Scientific reaction to irrational environment. |
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