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The art-architecture complex

Auteur : Hal Foster
Éditeur : London ; New York : Verso, 2011.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard
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Détails

Format : Book
Tous les auteurs / collaborateurs : Hal Foster
ISBN : 9781844676897 1844676897
Numéro OCLC : 668194667
Description : xiii, 302 p. : ill. (chiefly col.) ; 22 cm.
Contenu : Image-building ----
Part I. Global styles : Pop civics ; Crystal palaces ; Light modernity ----
Part II. Architecture vis-à-vis art : Neo-avant-garde gestures ; Postmodernist machines ; Minimalist museums ----
Part III. Mediums after minimalism : Sculpture remade ; Film stripped bare ; Painting unbound --
Building contra image.
Responsabilité : Hal Foster.
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Résumé :

Leading art theorist analyzes the global style in art and architecture.  Lire la suite...

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Praise for Design and Crime Elegant and incisive essays.A" Boston Review Foster writes with polemical verve and, at times, aphoristic cleverness.A" Art in America For people who look toward Lire la suite...

 
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   schema:description "Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a "global style" of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the "international style" of Le Corbusier, Gropius and Mies--a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that "the art-architecture complex" is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate. -- From Inside Flap."@en ;
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