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Art as existence : the artist's monograph and its project

Auteur : Gabriele Guercio
Éditeur : Cambridge, Mass. : MIT Press, ©2006.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"The narrative of the artist's life and work is one of the oldest models in the Western literature of the visual arts. In Art as Existence, Gabriele Guercio investigates the metamorphosis of the artist's monograph, tracing its formal and conceptual trajectories from Vasari's sixteenth-century Lives of the Painters, Sculptors, and Architects (which provided the model and source for the genre) through its apogee in  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
History
Format – détails additionnels : Online version:
Guercio, Gabriele.
Art as existence.
Cambridge, Mass. : MIT Press, ©2006
(OCoLC)607869898
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Gabriele Guercio
ISBN : 0262072688 9780262072687 9780262513203 026251320X
Numéro OCLC : 61704000
Description : xiii, 378 pages : illustrations ; 24 cm
Contenu : Introduction : the artist's monograph as a project --
1. Life and works --
Vasari's Lives and the dialectic of the model --
Circa 1800 : the artist's monograph becomes a genre --
2. One artist only --
Narratives : endurance and metamorphosis --
Waagen's study of the Van Eycks --
The "who" question --
3. The oeuvre --
Unity and multiplicity in Raphael's works --
Passavant's Rafael --
Resonances of the idea of the oeuvre --
4. The ascendancy of biography --
Three books on Michelangelo --
Delecluze's David --
Justi and the indivisible remainder of Velazquez's singularity --
5. Sites of identity --
Oeuvre and biography : a difficult balance --
Clement's Gericault --
The truth of the art and the truth of the facts.
Responsabilité : Gabriele Guercio.
Plus d’informations :

Résumé :

Is the artist's monograph an endangered species or a timeless genre? This critical history traces the formal and conceptual trajectories of art history's favorite form, from Vasari onward, and  Lire la suite...

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Synopsis de l’éditeur

"An impressively wide-ranging analysis of the monograph from its Renaissance antecedents to the present." Ann Compton The Art Book "Independent, passionate, and unexpected." Christopher S. Wood Lire la suite...

 
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