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Art criticism since 1900

Author: Malcolm Gee
Publisher: Manchester, UK ; New York : Manchester University Press ; New York : Distributed exclusively in the USA and Canada by St. Martin's Press, ©1993.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Examines the nature and character of critical writing about modern art in Europe and the US during the 20th century, and its relationship to art practice and art history. It analyzes a range of  Read more...

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Genre/Form: History
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Malcolm Gee
ISBN: 0719037840 9780719037849
OCLC Number: 27068483
Description: viii, 240 pages : illustrations ; 23 cm
Contents: The nature of twentieth-century art criticism / Malcolm Gee --
Walter Benjamin as art critic / David Carrier --
Critics on criticism : a critical approach / Dario Gamboni --
Essence, reference and truth-value : the epistemological dimension of the critical text / Gérard Mermoz --
Framing critics : the publishing context / Valerie Holman --
André Lhote : art critic for La Nouvelle Revue française / Jane Lee --
Nominalism and emotion in Reverdy's account of cubism, 1917-27 / M. Stone-Richards --
Zervos, Picasso and Brassaï, ethnographers in the field : a critical collaboration / Christopher Green --
The modern corporate state, the rhetoric of freedom, and the emergence of modernism in the United States : the mediation of language in critical practice / Patricia Hills --
Herbert Read and psychoanalysis / David Cohen --
Between Paris and New York : critical constructions of 'Englishness', c. 1945-60 / Margaret Garlake. Art criticism as strategy : the idiom of 'new realism' from Fernand Léger to the Pierre Restany group / Hélène Lassalle --
From Barthes to Baudrillard : art history, criticism and the 'philosophes' in France / Sarah Wilson.
Responsibility: edited by Malcolm Gee.

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