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Art in Renaissance Italy

Author: John T Paoletti; Gary M Radke
Publisher: Upper Saddle River, New Jersey : Prentice Hall, 2012.
Edition/Format:   Print book : English : 4th edView all editions and formats
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Document Type: Book
All Authors / Contributors: John T Paoletti; Gary M Radke
ISBN: 9780205010479 0205010474
OCLC Number: 802048279
Description: 576 Seiten : Illustrationen
Contents: IN THIS SECTION:1.) BRIEF2.) COMPREHENSIVE BRIEF TABLE OF CONTENTS: Preface 10 Introduction: Art in Context 12 Part I: The Late Thirteenth and the Fourteenth Century 46 Chapter 1 The Origins of the Renaissance 48 Chapter 2 Rome: Artists, Popes, and Cardinals 56 Chapter 3 Assisi and Padua: Narrative Realism 67 Chapter 4 Florence: Traditions and Innovations 78 Chapter 5 Siena: City of the Virgin 99 Chapter 6 Naples: Art for a Royal Kingdom 122 Chapter 7 Venice: The Most Serene Republic 136Chapter 8 Pisa and Florence: Social Upheaval 153 Chapter 9 Visconti Milan and Carrara Padua 174 Part II: The Fifteenth Century 200 Chapter 10 Florence: Commune and Guild 202 Chapter 11 Florence: The Medici and Political Propaganda 249 Chapter 12 Rome: Re-establishing Papal Power 286 Chapter 13 Venice: Affirming the Past and Present 311 Chapter 14 Courtly Art: The Gothic and Classic 333 Chapter 15 Sforza Milan: Ducal Splendor 362 Part III: The First Half of the Sixteenth Century 384 Chapter 16 Florence: The Renewed Republic 386 Chapter 17 Rome: Julius II, Leo X, and Clement VII 396 Chapter 18 Florence: Mannerism and the Medici 424 Chapter 19 Mantua, Parma, and Genoa: The Arts at Court 439 Chapter 20 Venice: Vision and Monumentality 451 Part IV: The Later Sixteenth Century 486 Chapter 21 The Rome of Paul III 488 Chapter 22 Northern Italy: Reform and Innovation 501 Chapter 23 Florence under Cosimo I 517 Chapter 24 Rome: A European Capital City 531 Genealogies 548List of Popes 553List of Venetian Doges 553Time Chart 554Glossary 556Bibliography 558Literary Credits, Picture Credits 566Index 567 COMPREHENSIVE TABLE OF CONTENTS: Preface 10 Introduction: Art in Context 12Contemporary Scene: Art and Offerings 14Patronage 16Artists' Workshops 17The Image of the Artist 17Contemporary Voice: An Artist's Life 18Workshop Training 20Contracts 21Materials and Methods 22The Painting Studio 22Wall Painting 22Tempera and Oil Painting 24Mosaic and Stained Glass 26The Sculpture Workshop 27Contemporary Voice: Terms of Employment 27Bronze Sculpture 31Drawings 32Architecture 33Other Workshops 34Print Media 35Renovations and Restorations 35Historiography and Methodology 41Vasari's Three Ages 41Contemporary Voice: Fashioning the Female Artist 42Naming the Renaissance 43 Part I: The Late Thirteenth and the Fourteenth Century 46 Chapter 1 The Origins of the Renaissance 48St. Francis and the Beginnings of Renaissance Art 48Francis of Assisi 49Contemporary Voice: Francis as Another Christ 50The San Damiano Crucifix: Christus triumphans 50Christus patiens 50Defining St. Francis 52St. Clare 53Style and Meaning 53Urban Contexts 55Types of Cities 55 Chapter 2 Rome: Artists, Popes, and Cardinals 56Rome's Revival under Nicholas III 57The Sancta Sanctorum 58Nicholas IV at Santa Maria Maggiore 59Contemporary Scene: Art and Miracles 60Patrons from the Papal Curia 62Pope Boniface VIII and an Imperial Language of Power 64Creating Images for an Absent Papacy 65 Chapter 3 Assisi and Padua: Narrative Realism 67Frescoes in San Francesco 69Nave Frescoes 69Contemporary Voice: St. Francis and the Christ Child 70Padua: The Scrovegni Chapel 72 Chapter 4 Florence: Traditions and Innovations 78St. John the Baptist and the Baptistry 80The Palazzo della Signoria and Urban Planning 81Mendicant Churches 83Santa Croce and Santa Maria Novella 83Altarpieces Dedicated to the Virgin 84Cimabue's Altarpiece for Santa Trinita 84Duccio's Altarpiece for the Confraternity of the Laudesi 85Giotto's Ognissanti Madonna 86Santa Croce Frescoes 86The Bardi Chapel 87The Peruzzi Chapel 89The Baroncelli Chapel 90Altarpieces for Santa Croce 93The Santa Croce Refectory Frescoes 94The Cathedral Complex 95Andrea Pisano's Baptistry Doors 96 Chapter 5 Siena: City of the Virgin 99The Cathedral 100The Pulpit 101The Facade 102Duccio's Maesta 103Contemporary Voice: The Procession of the Maesta 104Altarpieces in the Transept Chapels 106Later Sienese Altar Painting 109The Palazzo Pubblico 111Simone Martini's Maesta for the Palazzo Pubblico 111Lippo Memmi's Maesta for San Gimignano 112Contemporary Scene: Art and Popular Piety 112Secular Imagery in the Scala del Consiglio 114The Sala della Pace: "Good Government" 114Siena's Political System and Civic Art 118Painting in the Palazzo Pubblico 118Enhancements to the Campo 120 Chapter 6 Naples: Art for a Royal Kingdom 122The Court and the Importation of Artists 122Consolidating Angevin Rule: A Queen's Commissions 126Cavallini and Giotto in Naples 127Robert of Anjou 128The Altarpiece of St. Louis 128Sancia of Majorca and the Church of Santa Chiara 130Tomb Monuments and Robert the Wise 131The Tomb of Mary of Hungary 131The Tomb of Robert of Anjou 132The End of the Angevin Dynasty in Naples 132Queen Giovanna II and the Monument to King Ladislas 135The Caracciolo Chapel 135 Chapter 7 Venice: The Most Serene Republic 136St. Mark's Basilica 138Piazza San Marco 138Images of the State and the Individual 140Doge Andrea Dandolo 141Enhancements to St. Mark's 141The Pala d'Oro 141Contemporary Voice: The Image as Document 143St. Mark's Baptistry 143The Choir Screen 144The Facade 145The Church of Santi Giovanni e Paolo 145The Tomb of Doge Michele Morosini 146The Doge's Palace 146Contemporary Scene: Art and Violence 147Santo Stefano 147Sculpture on the Doge's Palace 148Painting in the Doge's Palace 150 Chapter 8 Pisa and Florence: Social Upheaval 153The Camposanto Frescoes in Pisa 153Santa Maria Novella in Florence 156The Strozzi Chapel 156The Strozzi Altarpiece 157The Guidalotti Chapel 159The Apotheosis of St. Thomas Aquinas 159The Way of Salvation 161Social Upheaval and Civic Works in Florence 163Contemporary Voice: The Bridge of Salvation 163Or San Michele 166Family Commissions 168The Legend of the True Cross 169Frescoes at San Miniato 170Other Civic Imagery 171Domestic Painting 173 Chapter 9 Visconti Milan and Carrara Padua 174Milan: The Visconti Court 174Azzone Visconti and the Idea of Magnificence 176Contemporary Voice: In Praise of Magnificence 177Azzone Visconti's Tomb 178Embellishment of the City 178The Altarpiece of the Magi 180The Equestrian Monument of Bernabo Visconti 181The Cansignorio della Scala Monument in Verona 182The Castello Visconteo 183Manuscript Illumination 183Padua: The Carrara Court 184Contemporary Scene: Art and Gastronomy 185The Padua Baptistry 187Contemporary Voice: Illustrious Men 188Patronage at the Santo 188The St. James (San Felice) Chapel 188St. Anthony of Padua 189The Oratory of St. George 190Milan: Giangaleazzo Visconti 190The Certosa of Pavia 191Cathedral Architecture 191Cathedral Sculpture 194The International Gothic Style 194Manuscript Illumination 195Michelino da Besozzo 196Secular Frescoes 197The Last Visconti and the Durability of theInternational Style 198 Part II: The Fifteenth Century 200 Chapter 10 Florence: Commune and Guild 202Sculpture for the Cathedral Complex 202The Competition for the Second Baptistry Doors 203Contemporary Voice: Ghiberti versus Brunelleschi 205Buttress Sculpture 207Facade Sculpture 210Or San Michele 210Brunelleschi and Florentine Civic Architecture 215The Foundling Hospital 215The Dome of the Cathedral 216Contemporary Scene: Art and Childbirth 217Contemporary Voice: In Praise of Artists 218Family Commissions 219The Bartolini-Salimbeni Chapel 220The Strozzi Chapel at Santa Trinita 223The Quaratesi Altarpiece 223Masaccio's Pisa Aaltarpiece 224Altarpieces at Mid-Century 225Masaccio: The Brancacci Chapel and Narrative Fresco Cycles 228The Trinity and Single-Point Perspective 232Castagno at Sant'Apollonia 234Excursus: The Impact of Florentine Art Outside the City 235Ghiberti and Donatello in Siena 235Quercia in Bologna 237Piero della Francesca in Arezzo 238Civic Commemoration in Florence 240Monument to Sir John Hawkwood 240The Cantorie 242The Tomb of Leonardo Bruni 244The Gates of Paradise 245 Chapter 11 Florence: The Medici and Political Propaganda 249The Medici's Civic and Domestic Commissions 250San Lorenzo 250The Old Sacristy 251San Marco 254The Medici Palace 256Contemporary Voice: A Job Application 256Portrait Busts 258The Medici Chapel 259Other Decorations 260Excursus: Donatello in Padua 262The Santo Altarpiece 262The Gattamelata Monument 263The Medici and Donatello's Late Work 264Donatello's Bronze David and Judith and Holofernes 264The San Lorenzo Pulpits 267The Golden Age and Lorenzo the Magnificent 268The Tomb of Piero and Giovanni de' Medici 269The Mercanzia Niche at Or San Michele 269The Devotional Image 270Family Chapels 273The Sassetti Chapel 273The Strozzi Chapel 275Portraiture 276The Architecture of Magnificence 277The Facade of Santa Maria Novella 277The Strozzi Palace 278Classical Antiquity and the Golden Age 279Antiquarianism 282Savonarola and Reform 284 Chapter 12 Rome: Re-establishing Papal Power286Martin V, Eugenius IV, and Nicholas V 286A Cautionary Fresco 287The Papal Basilicas 287Santa Maria Maggiore 287St. Peter's 288The Vatican Palace 290Contemporary Voice: Ruins and Dreams 291Pius II 292Cardinals' Commissions 295Pienza 296Paul II 297Palazzo Venezia 297A Roman School of Painting 298Sixtus IV: Roma Caput Mundi 299The Papal Family 300The Hospital of Santo Spirito 300Roman Churches 300Santa Maria del Popolo 300Sant'Agostino 302Commemorative Monuments 302The Cancelleria 303The Sistine Chapel 303Innocent VIII and Alexander VI: Power and Pleasure 306Cardinals' Commissions 308The Carafa Chapel 308Contemporary Scene: Art and the Collector 309Michelangelo's Pieta 310 Chapter 13 Venice: Affirming the Past and Present 311Sculpture on the Doge's Palace 311The Palazzo Foscari 312The Ca' d'Oro 313Contemporary Voice: Finishing Touches 314The Cappella Nova 316The Vivarini School 317Jacopo Bellini 317The Cappella Nova in the Late 1440s 319Venice: Heir of East and West 320The Arsenal 320Religious Architecture 320Painting 322The Scuole and Lay Commissions 327Commemorative State Commissions 330 Chapter 14 Courtly Art: The Gothic and Classic 333Ferrara: The Este Family 333Medals for Leonello d'Este 333Pisanello in Verona 334Contemporary Voice: Praise for Pisanello 335Contemporary Scene: Art and Punishment 336Borso d'Este 337Borso's Bible 337The Palazzo Schifanoia 338The Palazzo dei Diamanti 339Naples: A New Aragonese Dynasty 340Donatello and Michelozzo in Naples 340Alfonso the Magnanimous: Military and Humanist Ruler 340The Castello Aragonese 341An Arch for a Humanist Ruler 343Rimini: Sigismondo Malatesta 344Urbino 347Portraits 347Altarpieces 348The Palazzo Ducale 348Mantua: The Gonzaga Family 351Sant'Andrea 351The Palazzo Ducale 352The Sala Pisanello 352Andrea Mantegna, Court Artist 354Prior Experience in Padua and Verona 354The Camera Picta 356Male and Female Decorum 359Contemporary Voice: Fighting for Chastity 360 Chapter 15 Sforza Milan: Ducal Splendor 362The Sforzas 362Completing Visconti Ecclesiastical Foundations 363The Certosa 363The Cathedral 364Private Commissions 365Ludovico il Moro and a Grand Classical Style 367Santa Maria presso San Satiro 367Santa Maria delle Grazie 367Leonardo da Vinci 371The Last Supper 371Contemporary Voice: A Man of Many Talents 372Madonna of the Rocks 373Leonardo at Ludovico's Court 374Instability and Religious Fervor in the Milanese Court 375Leonardo at Court 376Commemorative Commissions 377Alternatives to Leonardo 378 Part III: The First Half of the Sixteenth Century 384 Chapter 16 Florence: The Renewed Republic 386The Republic as Patron 386A New Civic Hero: Michelangelo's David 387Sculpture at the Cathedral 388The Imagery of State 388The St. Anne Altarpiece 389The Battle Paintings 390Private Patrons 392Portraits 392Religious Painting 394 Chapter 17 Rome: Julius II, Leo X, and Clement VII 396The Imperial Style under Julius II 396A New St. Peter's 397The Tomb of Julius II 398The Sistine Ceiling 401Contemporary Voice: Michelangelo the Poet 404Contemporary Voice: Art and Dissent 407The Stanza della Segnatura 409Roman Civic Imagery 411The Stanza d'Eliodoro 412Portraits 413Contemporary Voice: The Courtier as Artist 414Leo X: Papal Luxury 415The Stanza dell'Incendio 415The Sistine Tapestries 415The Suburban Villa and Sybaritic Pleasure 417Raphael and Michelangelo 421Clement VII: The Dissolution of Papal Power 421 Chapter 18 Florence: Mannerism and the Medici 424Emerging Transformations of the Classical Style 424A New Social Order 426Domestic and Villa Decoration 428Altarpieces 431Michelangelo and the Medici 433The Medici Chapel 433The Laurentian Library 436 Chapter 19 Mantua, Parma, and Genoa: The Arts at Court439Mantua: The Pleasure Palace 439The Loves of Jupiter 442Parma: Elegance and Illusionism 443Correggio at San Paolo and the Cathedral 443Parmigianino and Self-Conscious Artifice 444Genoa: A Princely Republic 447Doria Portraits 447Villa Doria 448Genoa in the Second Half of the Sixteenth Century 449 Chapter 20 Venice: Vision and Monumentality 451Visual Poetry 452Eroticism and Antiquity 453Poetic Altarpieces 455Energized Altarpieces 457Tullio Lombardo: Classicism for Ecclesiastical Patrons 460Venetian Artists Working for Alfonso d'Este 461The Studio di Marmi 461The Camerino d'Alabastro 462Titian in Urbino 464Refashioning the City Triumphant 466The Zecca 466The Library 467The Loggetta 467The Palazzo Corner 468Titian: Images for the International Elite 468The Vendramin Family 468Charles V 469Mythology and Sensuality 470Colorito versus Disegno 470Titian: The Artist as his Own Patron 472Narrative Imagery in the Scuole 473Celebrating the City in the Doge's Palace 475Patronage of Commercial and Ecclesiastical Projects 476The Fabbriche Nuove 479The Rialto Bridge 479Palladio 480San Giorgio Maggiore 480The Redentore 481Contemporary Voice: Plague in Venice 481Villa Barbaro 482The Villa La Rotonda 484The Teatro Olimpico 485 Part IV: The Later Sixteenth Century 486 Chapter 21 The Rome of Paul III 488Michelangelo's Last Judgment 488Contemporary Voice: A Word of Advice 489The Deposition 493Triumphalist History 493Urbi et Orbi: The City 496The Capitoline Hill 496St. Peter's 498Private Commissions 499The Villa Giulia 499The Farnese Hours 500 Chapter 22 Northern Italy: Reform and Innovation 501The Council of Trent and Decrees on the Arts 502Reform and Censorship 503Milan and Lombardy 503Contemporary Voice: Veronese Before the Inquisition 504Devotional Painting 505Milanese Architecture 507Bergamo, Cremona, and Bologna 509Portraiture 510Still-Life Painting 514 Chapter 23 Florence under Cosimo I 517Portraits 517The Chapel of Eleonora of Toledo 519Church Reform and Local Politics 521Art as a Symbol of the Advanced State 524A Dynasty Supported by History and Myth 524Contemporary Voice: Casting the Perseus 526Restructuring Civic Space: The Uffizi 527The Sala del Gran Consiglio 528The Florentine Academy 529 Chapter 24 Rome: A European Capital City 531New Religious Orders 531The Gesu 531Painting for the Gesu 533San Stefano Rotondo 535Sixtus V and Replanning Rome 537Urban Monuments 539The Obelisks 539The Roman Columns 540The Acqua Felice 540Papal Basilicas 541Santa Maria Maggiore 541Contemporary Scene: Art, Pilgrimage, and Processions 542The Dome of St. Peter's 544Women as Patrons 545Continuity and Change 546 Genealogies 548List of Popes 553List of Venetian Doges 553Time Chart 554Glossary 556Bibliography 558Literary Credits, Picture Credits 566Index 567
Responsibility: John T. Paoletti & Gary M. Radke.

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