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Art in Vienna, 1898-1918 : Klimt, Kokoschka, Schiele and their contemporaries

Auteur: Peter Vergo
Uitgever: London : Phaidon, 1993.
Editie/Formaat:   Print book : Engels : 3rd edAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
The artistic stagnation of Vienna at the end of the nineteenth century was rudely shaken by the artists of the Secession. Their works at first shocked a conservative public; but their successive exhibitions, their magazine Ver Sacrum, and their application to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage.
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Genre/Vorm: Criticism, interpretation, etc
Genoemd persoon: Gustav Klimt; Oskar Kokoschka; Egon Schiele; Gustav Klimt; Oskar Kokoschka; Egon Schiele
Soort document: Boek
Alle auteurs / medewerkers: Peter Vergo
ISBN: 0714829676 9780714829678
OCLC-nummer: 30141376
Beschrijving: 256 p. : ill. (some col.) ; 28 cm.
Inhoud: I. Vienna 1900 --
II. Secession. The Beginnings. The First Exhibition. The Dedication of the House: Second Exhibition. Ver Sacrum. III-VI Exhibitions. The 'Klimt Affair' --
The University Paintings. Exhibitions, 1900-1902. Beethoven 1902. XVI-XVIII Exhibitions, 1903. The Split within the Secession --
III. Architecture and the Applied Arts. The Ringstrasse and the Architecture of Historicism. Otto Wagner, 1841-1918. Joseph Maria Olbrich, 1867-1908. Josef Hoffmann, 1870-1956. The Wiener Werkstatte. Palais Stoclet --
The Stoclet-frieze. Kabarett Fledermaus. Alfred Roller, 1864-1935. Hoffmann's later work. Adolf Loos, 1870-1933 --
IV. Kunstschau 1908-9: The Early Work of Kokoschka and Schiele. Kunstschau 1908. Oskar Kokoschka, born 1886. Richard Gerstl, 1883-1908. Kunstschau 1909 --
Vienna before the War. Egon Schiele, 1890-1918 --
V. Epilogue: Vienna 1914-18: The Later Work of Klimt and Schiele.
Verantwoordelijkheid: Peter Vergo.

Fragment:

The artistic stagnation of Vienna at the end of the nineteenth century was rudely shaken by the artists of the Secession. Their works at first shocked a conservative public; but their successive exhibitions, their magazine Ver Sacrum, and their application to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage.

This third edition, with over 60 new colour plates, brilliantly traces the course of this development, of the Wiener Werkstatte that followed, and the individual works of the artists concerned. Klimt, Kokoschka and Schiele were the leading figures in the fine arts; Wagner, Olbrich, Loos and Hoffmann in architecture and the applied arts. In other fields Mahler, Freud and Schnitzler were influencing the avant-garde.

The author quotes extensively from the writings, many of them not previously published in English, of contemporary reviewers, critics and the artists themselves. He has eye-witness accounts of the exhibitions, the opening of the Secession building, the work in progress on the Palais Stoclet and the Kabarett Fledermaus. The result is a fascinating documentary study of the successes and failures, hopes and fears of the members of an artistic movement which is much admired today.

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