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Art nouveau and the symphony during the fin-de-siècle : the intersection of the arts in Paris and Vienna

Author: Christopher Hill
Publisher: Cincinnati, Ohio : University of Cincinnati, [2012]
Dissertation: Dr. of Musical Arts University of Cincinnati 2012
Edition/Format:   Thesis/dissertation : Document : Thesis/dissertation : State or province government publication : eBook   Computer File : EnglishView all editions and formats
Summary:
This interdisciplinary document examines the intersection of art and music during the fin-de-siècle in Paris and Vienna, with particular emphasis on the convergence of Art Nouveau with the symphonic genre. It relates the more fluid Art Nouveau of Paris with the more geometric Jugendstil and Sezessionstil styles of Art Nouveau that emerged in Vienna, and explores the reciprocal influence of each in the development  Read more...
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Details

Material Type: Document, Thesis/dissertation, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Christopher Hill
OCLC Number: 813846908
Notes: Advisor: Jonathan Kregor.
Title from electronic thesis title page (viewed Oct. 5, 2012).
Includes abstract.
Keywords: Symphony; Art Nouveau; Mahler; d'Indy; Zemlinsky; Chausson.
Description: 1 online resource (145 pages)
Responsibility: by Christopher Hill.

Abstract:

This interdisciplinary document examines the intersection of art and music during the fin-de-siècle in Paris and Vienna, with particular emphasis on the convergence of Art Nouveau with the symphonic genre. It relates the more fluid Art Nouveau of Paris with the more geometric Jugendstil and Sezessionstil styles of Art Nouveau that emerged in Vienna, and explores the reciprocal influence of each in the development of the symphony during the fin-de-siècle. Four symphonic works that span the height of the Art Nouveau era are examined in detail, including the Symphony in B-flat major (1890) by Ernest Chausson (1855-1899), the Symphony No. 3in B-flat major (1897) by Alexander von Zemlinsky (1871-1942), the Symphony No. 2 in B-flat major (1902-3) by Vincent d'Indy (1851-1931), and the Symphony No. 7 (1904-5) by GustavMahler (1860-1911). Through an analysis of the shared Art Nouveau characteristics of each, a new lens for understanding and contextualizing these works is proposed.

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