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The art of art history : a critical anthology

Autore: Donald Preziosi
Editore: Oxford : Oxford University Press, 2009. ©2009
Serie: Oxford history of art.
Edizione/Formato:   Libro a stampa : Essay : English : Second editionVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? This work is a guide to understanding art history through a critical reading of the field's most influential texts over the past two centuries.
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Genere/forma: Essays
Aufsatzsammlung
Quelle
History
Tipo materiale: Risorsa internet
Tipo documento Libro, Risorsa Internet
Tutti gli autori / Collaboratori: Donald Preziosi
{0} 9780199229840 0199229848
Numero OCLC: 269433575
Note: Previous edition: 1998.
Descrizione: vii, 591 pages : illustrations ; 22 cm.
Contenuti: Introduction. Art history: making the visible lengths / Donald Preziosi --
Art as history. Lives of the painters, sculptors, and architects / Giorgio Vasari ; Reflections on the imitation of Greek works in painting and sculpture / Johann Joachim Winckelmann ; Winckelmann divided : mourning the death of art history / Whitney Davis ; Patterns of intention / Michael Baxandall --
Aesthetics. The critique of judgement / Immanuel Kant ; Philosophy of fine art / Georg Wilhelm Friedrich Hegel ; Impure mimesis, or, the ends of the aesthetic / D.N. Rodowick ; Fetish / William Pietz --
Form, content, style. Principles of art history / Heinrich Wölfflin ; Style / Ernst Gombrich ; 'Form', nineteenth-century metaphysics, and the problem of art historical description ; Style / David Summers --
Anthropology and/as art history. Leading characteristics of the late Roman Kunstwollen / Alois Riegl ; Images from the region of the Pueblo Indians of North America / Aby Warburg ; Warburg's concept of Kulturwissenschaft and its meaning for aesthetics / Edgar Wind ; Silent moves : on excluding the ethnographic subject from the discourse of art history / Claire Farago --
Mechanisms of meaning. Iconography and iconology : an introduction to the study of Renaissance art / Erwin Panofsky ; Semiotics and iconography / Hubert Damisch ; Semiotics and art history : a discussion of context and senders / Mieke Bal and Norman Bryson ; Meaning/interpretation / Stephen Bann --
Deconstruction and the limits to interpretation. The temptation of new perspectives / Stephen Melville ; The origin of the work of art / Martin Heidegger ; The still life as a personal object : a note on Heidegger and Van Gogh / Meyer Schapiro ; Restitutions of the truth in pointing [pointure] / Jacques Derrida --
Authorship and identity. What is an author? / Michel Foucault ; The discourse of others : feminists and postmodernism / Craig Owens ; Re-viewing modernist criticism / Mary Kelly ; Performative acts and gender constitution : an essay in phenomenology and feminist theory / Judith Butler ; Postmodern automatons / Rey Chow ; 'Every man knows where and how beauty gives him pleasure' : beauty discourse and the logic of aesthetics / Amelia Jones ; Queer wallpaper / Jennifer Doyle --
Globalization and its discontents. Orientalism and the exhibitionary order / Timothy Mitchell ; The art museum as ritual / Carol Duncan ; The work of art in the age of its technological reproducibility / Walter Benjamin ; Can our values be objective? : on ethics, aesthetics and progressive politics / Satya P. Mohanty ; Visual culture studies : questions of history, theory, and practice / Marquard Smith ; 'Life-like' : historicizing process and responsiveness in digital art / María Fernández --
Epilogue. The art of art history / Donald Preziosi --
Plato's dilemma and the tasks of the art historian today.
Titolo della serie: Oxford history of art.
Responsabilità: edited by Donald Preziosi.

Abstract:

New edition of this key guide to art history, which takes a critical reading of the field's most innovative and influential texts over the past two centuries, including the most important new writing  Per saperne di più…

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Inspires productive debate and contemplation. What makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought. Robert S. Nelson, Yale * Robert Per saperne di più…

 
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