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The art of French piano music : Debussy, Ravel, Fauré, Chabrier

Auteur : Roy Howat
Éditeur : New Haven, Conn. ; London : Yale University Press, ©2009.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Claude Debussy; Claude Debussy; Maurice Ravel; Maurice Ravel; Gabriel Fauré; Gabriel Fauré; Emmanuel Chabrier; Emmanuel Chabrier; Claude Debussy; Maurice Ravel; Gabriel Fauré; Emmanuel Chabrier; Emmanuel Chabrier; Claude Debussy; Gabriel Fauré; Maurice Ravel; Claude Debussy; Maurice Ravel; Gabriel Fauré, Komponist.; Emmanuel Chabrier
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Roy Howat
ISBN : 9780300145472 0300145470
Numéro OCLC : 262432355
Description : xvi, 400 pages : illustrations, music ; 25 cm
Contenu : The exactitude of musical 'Impressionism' (Painting in sound ; Painting in musical structure (1) : Debussy's Preludes ; Painting in musical structure (2) : Ravel's Gaspard de la nuit ; Shapes and forms ; Reflets dans l'eau', Hokusai, Edgar Allan Poe and Leonardo of Pisa) --
Musical roots and antecedents (Chopin's legacy ; 'Musique adorable ': à la découverte d'Emmanuel Chabrier ; Debussy and the Orient ; The exotic via Russia and Spain ; The clavecinistes ; Romanticism) --
Fresh perspectives (Rhythmic games in Ravel ; Rhythmic games in Chabrier ; Repertoire discoveries) --
At the keyboard (What do we interpret? ; Editions and what they can't quite tell us ; Rhythm, tempo, dance and humour ; A fresh look at Gabriel Fauré ; Orchestral thinking and the pedals ; Body language and the piano ; The composer as pianist) --
Appendices ('Facilement, facilement' : finding technical ease ; Glosses on titles and musical allusions ; Composers' surviving instruments and recordings ; Brief summary of critical editions ; Locations of musical manuscripts discussed).
Responsabilité : Roy Howat.

Résumé :

Suitable for scholars and performers, this study illuminates the piano music of four major French composers, in comparative and reciprocal context. It explores the musical language and artistic ethos  Lire la suite...

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Synopsis de l’éditeur

"Invigorating... The author's respect for and comprehensive knowledge of his wide-ranging subject, no less than his love for it, is plain on every page."-Mark DeVoto, Notes -- Mark DeVoto Notes

 
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