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The art of French piano music : Debussy, Ravel, Fauré, Chabrier

Autore: Roy Howat
Editore: New Haven, Conn. ; London : Yale University Press, ©2009.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Persona incaricata: Claude Debussy; Claude Debussy; Maurice Ravel; Maurice Ravel; Gabriel Fauré; Gabriel Fauré; Emmanuel Chabrier; Emmanuel Chabrier; Claude Debussy; Maurice Ravel; Gabriel Fauré; Emmanuel Chabrier; Claude Debussy; Maurice Ravel; Gabriel Fauré, Komponist.; Emmanuel Chabrier; Emmanuel Chabrier; Claude Debussy; Gabriel Fauré; Maurice Ravel
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Roy Howat
ISBN: 9780300145472 0300145470
Numero OCLC: 262432355
Descrizione: xvi, 400 p. : ill., music ; 25 cm.
Contenuti: The exactitude of musical 'Impressionism' (Painting in sound ; Painting in musical structure (1) : Debussy's Preludes ; Painting in musical structure (2) : Ravel's Gaspard de la nuit ; Shapes and forms ; Reflets dans l'eau', Hokusai, Edgar Allan Poe and Leonardo of Pisa) --
Musical roots and antecedents (Chopin's legacy ; 'Musique adorable ': à la découverte d'Emmanuel Chabrier ; Debussy and the Orient ; The exotic via Russia and Spain ; The clavecinistes ; Romanticism) --
Fresh perspectives (Rhythmic games in Ravel ; Rhythmic games in Chabrier ; Repertoire discoveries) --
At the keyboard (What do we interpret? ; Editions and what they can't quite tell us ; Rhythm, tempo, dance and humour ; A fresh look at Gabriel Fauré ; Orchestral thinking and the pedals ; Body language and the piano ; The composer as pianist) --
Appendices ('Facilement, facilement' : finding technical ease ; Glosses on titles and musical allusions ; Composers' surviving instruments and recordings ; Brief summary of critical editions ; Locations of musical manuscripts discussed)
Responsabilità: Roy Howat.

Abstract:

Suitable for scholars and performers, this study illuminates the piano music of four major French composers, in comparative and reciprocal context. It explores the musical language and artistic ethos  Per saperne di più…

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"Invigorating. . . . The author's respect for and comprehensive knowledge of his wide-ranging subject, no less than his love for it, is plain on every page."--Mark DeVoto, "Notes""" ""--Mark DeVoto Per saperne di più…

 
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