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The art of Richard Diebenkorn

Autore: Jane Livingston; Richard Diebenkorn; John Elderfield; Whitney Museum of American Art.
Editore: New York : Whitney Museum of American Art ; Berkeley : University of California Press, ©1997.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction.
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Genere/forma: Exhibitions
Expositions
Persona incaricata: Richard Diebenkorn; Richard Diebenkorn; Richard Diebenkorn; Richard Diebenkorn; Richard Diebenkorn; Richard Diebenkorn; Richard Diebenkorn
Tipo documento: Book
Tutti gli autori / Collaboratori: Jane Livingston; Richard Diebenkorn; John Elderfield; Whitney Museum of American Art.
ISBN: 0520212576 9780520212572 0520212584 9780520212589 087427107X 9780874271072
Numero OCLC: 36083662
Note: Exhibition held at the Whitney Museum of American Art on Oct. 9, 1997-Jan.11, 1998, and others.
Descrizione: 276 p. : ill. (chiefly col.) ; 32 cm.
Contenuti: Foreword / David A. Ross --
Preface and acknowledgements / Jane Livingston --
Art of Richard Diebenkorn / Jane Livingston --
Reality: digested, transmuted, and twisted / Ruth E. Fine --
Leaving Ocean Park / John Elderfield --
Plates --
Selected exhibition history --
Selected bibliography --
Works in exhibition.
Responsabilità: Jane Livingston ; with essays by John Elderfield, Ruth Fine, and Jane Livingston.
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Abstract:

Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction.

In this book, which accompanies the Whitney Museum's 1997 Diebenkorn retrospective exhibition, the most comprehensive survey of his work ever held, Diebenkorn emerges as an artist who restored to late modernism the sense of the sublime that seemed to fade with each successive decade after World War II. In the 1940s and early 1950s, he forged an impressive abstract vocabulary - and then suddenly abandoned it in 1955 for a representational mode that encompassed still lifes, landscapes, figures, and interiors. Along with painters David Park and Elmer Bischoff, he established what has come to be known as the Bay Area Figurative School.

Twelve years later, in 1967, Diebenkorn moved back into abstraction, embarking on the renowned Ocean Park series of paintings and drawings that he continued to develop until the end of his life.

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