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The art of Shakespeare's sonnets

Auteur : Helen Vendler
Éditeur : Cambridge, Mass. : Belknap Press of Harvard University Press, 1997.
Édition/format :   Livre : CD audio : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
In detailed commentaries on Shakespeare's 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries - presented alongside the complete text of each poem, as printed in the 1609  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Format – détails additionnels : Online version:
Vendler, Helen, 1933-
Art of Shakespeare's sonnets.
Cambridge, Mass. : Belknap Press of Harvard University Press, 1997
(OCoLC)605390989
Online version:
Vendler, Helen, 1933-
Art of Shakespeare's sonnets.
Cambridge, Mass. : Belknap Press of Harvard University Press, 1997
(OCoLC)607643968
Personne nommée : William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Format : Livre
Tous les auteurs / collaborateurs : Helen Vendler
ISBN : 0674637119 9780674637115
Numéro OCLC : 36806589
Description : xviii, 672 p. : ill. ; 26 cm. + 1 sound disc (digital ; 4 3/4 in.)
Contenu : The Sonnets.
Autres titres : Shakespeare's sonnets
Responsabilité : Helen Vendler.

Résumé :

In detailed commentaries on Shakespeare's 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries - presented alongside the complete text of each poem, as printed in the 1609 edition and in a modernized version - offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare's techniques as a working poet. With the help of Vendler's acute eye, we gain an appreciation of "Shakespeare's elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent." Vendler's understanding of the sonnets informs her readings on an accompanying compact disk, which is bound with the book. This recorded presentation of a selection of the poems, in giving aural form to Shakespeare's words, heightens our awareness of voice in lyric and adds the dimension of sound to poems too often registered merely as written words.

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