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Art of the actual : naturalism and style in early Third Republic France, 1880-1900

ผู้แต่ง: Richard Thomson
สำนักพิมพ์: New Haven : Yale University Press, [2012]
ครั้งที่พิมพ์/รูปแบบ:   book_printbook : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"The French Republic--with its rallying cry for liberty, equality, and fraternity--emerged in 1870, and by 1880 had developed a coherent republican ideology. The regime pursued secular policies and emphasized its commitment to science and technology. Naturalism was an ideal aesthetic match for the republican ideology; it emphasized that art should be drawn from the everyday world, that all subjects were worthy of
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ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Richard Thomson
ISBN: 9780300179880 030017988X
OCLC Number: 830029959
คำอธิบาย: xiii, 362 pages : illustrations ; 29 cm
สารบัญ: 'La République sera naturaliste' --
Naturalism at the service of the Republic --
Reading naturalist pictures --
Naturalism: the problem of style, the evidence of sustainability --
'Mingled with veiled satire' : the critical edge of the caricatural --
Finding form for the Populaire: class, imagery and identity --
Organicism: national energy and natural flux --
Repudiating naturalism: the avant-garde seeking style --
Naturalism entrenched: tradition, consensus, rupture --
Conclusion. 'La République sera naturaliste' --
Naturalism at the service of the Republic --
Reading naturalist pictures --
Naturalism: the problem of style, the evidence of sustainability --
"Mingled with veiled satire' : the critical edge of the caricatural --
Finding form for the populaire: class, imagery and identity --
Organicism: national energy and natural flux --
Repudiating naturalism: the avant-garede seeking style --
Naturalism entrenched: tradition, consensus, rupture.
ความรับผิดชอบ: Richard Thomson.

บทคัดย่อ:

The French Republic - with its rallying cry for liberty, equality, and fraternity - emerged in 1870, and by 1880 had developed a coherent republican ideology. This book examines the use of naturalism  อ่านมากขึ้น…

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    schema:description ""The book explores the representation between the political culture of early Third Republic France and the visual arts, primarily painting. The Republic had come into being in 1870, but it was only about 1880 that its politics became coherently republican. The regime, with its rhetoric of liberty, equality and fraternity, pursued policies which were secular and anti-clerical, also emphasizing its commitment to science and technology. By this time naturalism was becoming the dominant mode in contemporary intellectual life and literature. With its understanding that art of all kinds should be drawn from the everyday world, that no subject was unworthy to be treated, and a degree of flexibility in representation, naturalism was an ideal aesthetic match for republican ideology. This consensual alliance was the dominant cultural mode in early Third Republic France, found in public decorations, Salon paintings and throughout visual culture. The book also considers how some artists, aided by the liberalization of censorship in 1881, stretched the frontiers of the descriptive and added a critical edge to their work by introducing elements of caricatural style into their work. It asks whether under an ostensibly egalitarian Republic there was genuinely art produced by and for the people, not necessarily in hock to naturalist paradigms, or whether art was essentially filtered down from the upper echelons. The various ways artists stretched naturalist expectation, particularly by engaging with scientific concepts, is also assessed"--"@en ;
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