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Artists' multiples, 1935-2000

Author: Stephen Bury
Publisher: Aldershot, England ; Burlington, VT : Ashgate, ©2001.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"The artist's multiple is perhaps the art of the twentieth century. If in the nineteenth century art could be seen as distinct from products of industry, in the early twentieth century industry could confidently project itself as art. The artist's multiple, in its delight in reproducibility, industrial fabrication, and new processes and materials, exemplifies this trend. This book explores the historical background  Read more...
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Additional Physical Format: Online version:
Bury, Stephen, 1954-
Artists' multiples, 1935-2000.
Aldershot, England ; Burlington, VT : Ashgate, ©2001
(OCoLC)606738521
Named Person: Marcel Duchamp; Joseph Beuys
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Stephen Bury
ISBN: 0754600750 9780754600756
OCLC Number: 46503381
Description: xiii, 194 pages : illustrations ; 25 cm
Contents: 1. The work of art in the age of mechanical reproduction --
2. The jeu d'esprit and the joke --
3. Duchamp: the readymade --
4. The artist as fabricator --
5. The store and more: Pop Art and Fluxus --
6. Joseph Beuys: 'Why doesn't the "Felt Suit" have buttons?' --
7. Conceptual art and the artist's multiple --
8. The contemporary multiple --
Selective catalogue of artists' multiples 1935-2000.
Responsibility: Stephen Bury.
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Abstract:

Utilizing the new processes and materials of industry, the artist's multiple offered to the 20th century an art form that, like the products of consumer society, was repeatable and denied the  Read more...

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'...the book is to be welcomed.' Arlis 'Stephen Bury knows his stuff...an enjoyable read...this very relish, attention to detail and inherent playfulness has produced a book that is at once Read more...

 
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   schema:reviewBody ""The artist's multiple is perhaps the art of the twentieth century. If in the nineteenth century art could be seen as distinct from products of industry, in the early twentieth century industry could confidently project itself as art. The artist's multiple, in its delight in reproducibility, industrial fabrication, and new processes and materials, exemplifies this trend. This book explores the historical background of the multiple, examining its relationship to the jeu d'esprit of the artist's studio, the readymade, constructivism, the store and the everyday. It looks at the work of Marcel Duchamp, George Maciunas, Joseph Beuys, and Felix Gonzalez-Torres as well as contemporary practice, such as 'The Multiple Store'." "An illustrated and chronologically arranged catalogue of over 800 multiples produced between 1935 and 2000 provides a wide selection of different approaches by artists to the medium. A chronology, glossary and detailed bibliography are also included."--Jacket." ;
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