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Aspects of the performative in medieval culture

Author: Manuele Gragnolati; Almut Suerbaum
Publisher: Berlin ; New York : De Gruyter, ©2010.
Series: Trends in medieval philology, v. 18.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Aspects of the performative in medieval culture.
Berlin ; New York : De Gruyter, ©2010
(DLC) 2010005460
(OCoLC)505748732
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Manuele Gragnolati; Almut Suerbaum
ISBN: 9783110222470 3110222477 3110222469 9783110222463
OCLC Number: 646068503
Description: 1 online resource (viii, 319 pages) : illustrations.
Contents: Cover --
Title Page --
Copyright Page --
Table of Contents --
Medieval Culture 'betwixt and between': An introduction --
I. 'Pr228;senzeffekte': Performing the Penitential Psalms in the Middle Ages --
'Remember me in your prayers': Reading the Church Slavonic Psalter as an act of commemoration --
Performing Parliament in the Rotuli Parliamentorum --
II. Performing the self: Constructions of authorial identity --
Scurrilitas: Sex, magic, and the performance of fictionality in Anselm of Besate's Rhetorimachia --
Authorship and performance in Dante's Vita nova --
Paradoxes of performance: Autobiography in the songs of Hugo von Montfort and Oswald von Wolkenstein --
Performative desires: Sereni's re-staging of Dante and Petrarch --
III. Embodied voice: Reading and re-reading --
Singing Sweetly to the Virgin: Josquin's Inviolata --
Re-presenting set-piece description in the courtly romance: Hartmann's adaptation of Chr233;tien's Erec et Enide. --
'Ich pin der haid Aristotiles. ein exempel nemend des': Performing Aristotle's lessons --
Dante's reception in German literature: a question of performance? --
List of abbreviations --
Selected bibliography --
Index.
Series Title: Trends in medieval philology, v. 18.
Responsibility: edited by Manuele Gragnolati, Almut Suerbaum.

Abstract:

The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars.

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