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The atonal music of Arnold Schoenberg, 1908-1923
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The atonal music of Arnold Schoenberg, 1908-1923

Autor: Bryan R Simms
Editorial: New York : Oxford University Press, 2000.
Edición/Formato:  Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms  Leer más
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Detalles

Persona designada: Arnold Schoenberg; Arnold Schoenberg; Arnold Schoenberg
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Bryan R Simms
ISBN: 0195128265 9780195128260
Número OCLC: 41531924
Descripción: ix, 265 p. : ill. ; 24 cm.
Contenido: Atonality and the critical imagination --
Schoenberg's evolution toward atonality --
Settings of the poetry of Stefan George, op. 10, op. 14 and op. 15 --
Small instrumental works: op. 11, op. 16, op. 19 and three pieces for chamber orchestra --
The operas Erwartung and Die glückliche Hand --
New uses of the voice: Herzgewächse, Pierrot lunaire, and four songs, op. 22 --
On the road from earth to heaven: symphony and Die Jakobsleiter --
Composing with tones: five piano pieces, op. 23, and serenade, op. 24.
Responsabilidad: Bryan R. Simms.
Más información:

Resumen:

Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of  Leer más

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This study assesses Schoenberg's creative impulse and makes it understandable for perhaps the first time. Simms's seamless blend of an awareness of the composer's life with concise abstractions of Leer más

 
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Datos enlazados


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schema:description"Atonality and the critical imagination -- Schoenberg's evolution toward atonality -- Settings of the poetry of Stefan George, op. 10, op. 14 and op. 15 -- Small instrumental works: op. 11, op. 16, op. 19 and three pieces for chamber orchestra -- The operas Erwartung and Die glückliche Hand -- New uses of the voice: Herzgewächse, Pierrot lunaire, and four songs, op. 22 -- On the road from earth to heaven: symphony and Die Jakobsleiter -- Composing with tones: five piano pieces, op. 23, and serenade, op. 24."
schema:description"Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new understanding of Schoenberg's seminal work during this period. --From publisher's description."
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