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The atonal music of Arnold Schoenberg, 1908-1923

著者: Bryan R Simms
出版商: New York : Oxford University Press, 2000.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms  再读一些...
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类型/形式: Criticism, interpretation, etc
提及的人: Arnold Schoenberg; Arnold Schoenberg; Arnold Schoenberg; Arnold Schoenberg
文件类型:
所有的著者/提供者: Bryan R Simms
ISBN: 0195128265 9780195128260
OCLC号码: 41531924
描述: ix, 265 p. : ill. ; 24 cm.
内容: Atonality and the critical imagination --
Schoenberg's evolution toward atonality --
Settings of the poetry of Stefan George, op. 10, op. 14 and op. 15 --
Small instrumental works: op. 11, op. 16, op. 19 and three pieces for chamber orchestra --
The operas Erwartung and Die glückliche Hand --
New uses of the voice: Herzgewächse, Pierrot lunaire, and four songs, op. 22 --
On the road from earth to heaven: symphony and Die Jakobsleiter --
Composing with tones: five piano pieces, op. 23, and serenade, op. 24.
责任: Bryan R. Simms.
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摘要:

Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of  再读一些...

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This study assesses Schoenberg's creative impulse and makes it understandable for perhaps the first time. Simms's seamless blend of an awareness of the composer's life with concise abstractions of 再读一些...

 
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