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The atonal music of Arnold Schoenberg, 1908-1923

作者: Bryan R Simms
出版商: New York : Oxford University Press, 2000.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
提要:
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms  再讀一些...
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類型/形式: Criticism, interpretation, etc
提及的人: Arnold Schoenberg; Arnold Schoenberg; Arnold Schoenberg; Arnold Schoenberg
文件類型 圖書
所有的作者/貢獻者: Bryan R Simms
ISBN: 0195128265 9780195128260
OCLC系統控制編碼: 41531924
獎賞: Winner of Named as Outstanding Academic Book by Choice.
描述: ix, 265 pages : illustrations ; 24 cm
内容: Atonality and the critical imagination --
Schoenberg's evolution toward atonality --
Settings of the poetry of Stefan George, op. 10, op. 14 and op. 15 --
Small instrumental works: op. 11, op. 16, op. 19 and three pieces for chamber orchestra --
The operas Erwartung and Die glückliche Hand --
New uses of the voice: Herzgewächse, Pierrot lunaire, and four songs, op. 22 --
On the road from earth to heaven: symphony and Die Jakobsleiter --
Composing with tones: five piano pieces, op. 23, and serenade, op. 24.
責任: Bryan R. Simms.
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Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of  再讀一些...

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This study assesses Schoenberg's creative impulse and makes it understandable for perhaps the first time. Simms's seamless blend of an awareness of the composer's life with concise abstractions of 再讀一些...

 
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