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Aubrey Beardsley and British Wagnerism in the 1890s

Autor: Emma Sutton
Editorial: Oxford [England] ; New York : Oxford University Press, 2002.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
"Examining Beardsley's drawings and prose of the 1890s, Emma Sutton considers the ways in which Wagner's works were appropriated by this seminal figure of the British decadent movement. Despite recent critical interest in Beardsley and the fin de siecle, and considerable research on Wagnerism, this is the first study in English to consider at length Wagner's presence in Beardsley's work. Beardsley combined allusions  Leer más
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Detalles

Persona designada: Aubrey Beardsley; Aubrey Beardsley; Aubrey Beardsley; Richard Wagner; Richard Wagner; Aubrey Beardsley; Richard Wagner
Tipo de material: Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Emma Sutton
ISBN: 0198187327 9780198187325
Número OCLC: 48468488
Descripción: viii, 225 p. : ill. ; 23 cm.
Responsabilidad: Emma Sutton.
Más información:

Resumen:

"Examining Beardsley's drawings and prose of the 1890s, Emma Sutton considers the ways in which Wagner's works were appropriated by this seminal figure of the British decadent movement. Despite recent critical interest in Beardsley and the fin de siecle, and considerable research on Wagnerism, this is the first study in English to consider at length Wagner's presence in Beardsley's work. Beardsley combined allusions to the German composer with many of the touchstones of decadent art - the exotic, the morbid, the erotic, and the mannered. In exploring Beardsley's often iconoclastic versions - or perversions - of Wagner's work, this book highlights not only the role of Wagnerism in fin-de-siecle British culture, but also the relations between Wagnerism and contemporary decadence."--Jacket.

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Datos enlazados


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schema:reviewBody""Examining Beardsley's drawings and prose of the 1890s, Emma Sutton considers the ways in which Wagner's works were appropriated by this seminal figure of the British decadent movement. Despite recent critical interest in Beardsley and the fin de siecle, and considerable research on Wagnerism, this is the first study in English to consider at length Wagner's presence in Beardsley's work. Beardsley combined allusions to the German composer with many of the touchstones of decadent art - the exotic, the morbid, the erotic, and the mannered. In exploring Beardsley's often iconoclastic versions - or perversions - of Wagner's work, this book highlights not only the role of Wagnerism in fin-de-siecle British culture, but also the relations between Wagnerism and contemporary decadence."--Jacket."
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