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Aubrey Beardsley, dandy of the grotesque

Auteur: Chris Snodgrass
Uitgever: New York : Oxford University Press, 1995.
Editie/Formaat:   Print book : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Many scholars have considered Aubrey Beardsley's art indispensable to understanding fin-de-siecle Victorian culture. Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including fetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy - the icon of the Decadent "Religion of Art". These images embodied the fearful contradictions of decadence and served as objective correlatives of some
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Genre/Vorm: Criticism, interpretation, etc
Aanvullende fysieke materiaalsoort: Online version:
Snodgrass, Chris.
Aubrey Beardsley, dandy of the grotesque.
New York : Oxford University Press, 1995
(OCoLC)624336379
Genoemd persoon: Aubrey Beardsley; Aubrey Beardsley; Aubrey Beardsley; Aubrey Beardsley
Soort document: Boek
Alle auteurs / medewerkers: Chris Snodgrass
ISBN: 0195090624 9780195090628
OCLC-nummer: 30508869
Beschrijving: xix, 338 pages : illustrations ; 25 cm
Verantwoordelijkheid: Chris Snodgrass.
Meer informatie:

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This analysis of Beardsley's most characteristic works clarifies why his art is indispensable to an understanding of fin-de-siecle Victorian culture.  Meer lezen...

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...densely packed and theoretically sophisticated study of Beardsley. London Review of Books

 
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schema:description"In this book, Snodgrass analyzes a wide range of Beardsley's most characteristic work, and establishes Beardsley's assumptions about the underlying nature of his world. Snodgrass argues that Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority. Further, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art," Beardsley, nonetheless, creates a world inescapably "de-formed." He is a Dandy of the Grotesque."@en
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