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Aubrey Beardsley, dandy of the grotesque

著者: Chris Snodgrass
出版商: New York : Oxford University Press, 1995.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Many scholars have considered Aubrey Beardsley's art indispensable to understanding fin-de-siecle Victorian culture. Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including fetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy - the icon of the Decadent "Religion of Art". These images embodied the fearful contradictions of decadence and served as objective correlatives of some
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类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Snodgrass, Chris.
Aubrey Beardsley, dandy of the grotesque.
New York : Oxford University Press, 1995
(OCoLC)624336379
提及的人: Aubrey Beardsley; Aubrey Beardsley; Aubrey Beardsley; Aubrey Beardsley
文件类型:
所有的著者/提供者: Chris Snodgrass
ISBN: 0195090624 9780195090628
OCLC号码: 30508869
描述: xix, 338 pages : illustrations ; 25 cm
责任: Chris Snodgrass.
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摘要:

This analysis of Beardsley's most characteristic works clarifies why his art is indispensable to an understanding of fin-de-siecle Victorian culture.  再读一些...

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...densely packed and theoretically sophisticated study of Beardsley. London Review of Books

 
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schema:description"In this book, Snodgrass analyzes a wide range of Beardsley's most characteristic work, and establishes Beardsley's assumptions about the underlying nature of his world. Snodgrass argues that Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority. Further, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art," Beardsley, nonetheless, creates a world inescapably "de-formed." He is a Dandy of the Grotesque."@en
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