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Augustin Pajou : royal sculptor, 1730-1809

Autor: James David Draper; Augustin Pajou; Guilhem Scherf; Musée du Louvre.; Metropolitan Museum of Art (New York, N.Y.)
Editora: New York : Metropolitan Museum of Art ; Paris : Réunion des Musées Nationaux ; New York : Distributed by H.N. Abrams, ©1997.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
This publication is the first major study of the French Neoclassical sculptor Augustin Pajou (1730-1809) in almost a century, and it is the only work about him in English. Here the artist's work is discussed and illustrated in depth, and the artistic, courtly, and aristocratic circles in which he worked are considered in detail. This examination concentrates on the beginnings of Neoclassicism and explores the  Ler mais...
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Detalhes

Gênero/Forma: Exhibition catalogs
Exhibitions
Formato Físico Adicional: Online version:
Draper, James David.
Augustin Pajou.
New York : Metropolitan Museum of Art ; Paris : Réunion des Musées Nationaux ; New York : Distributed by H.N. Abrams, ©1997
(OCoLC)606985758
Pessoa Denominada: Augustin Pajou; Augustin Pajou
Tipo de Documento: Livro
Todos os Autores / Contribuintes: James David Draper; Augustin Pajou; Guilhem Scherf; Musée du Louvre.; Metropolitan Museum of Art (New York, N.Y.)
ISBN: 0870998404 9780870998409 0870998412 9780870998416 0810965186 9780810965188
Número OCLC: 37770223
Notas: "Issued in conjunction with the exhibition held at the Musée du Louvre, Paris, from October 20, 1997 to January 19, 1998 and at the Metropolitan Museum of Art, New York, from February 26 to May 24, 1998"--Title page verso.
Descrição: 431 pages : illustrations (some color) ; 29 cm
Responsabilidade: James David Draper, Guilhem Scherf.

Resumo:

This publication is the first major study of the French Neoclassical sculptor Augustin Pajou (1730-1809) in almost a century, and it is the only work about him in English. Here the artist's work is discussed and illustrated in depth, and the artistic, courtly, and aristocratic circles in which he worked are considered in detail. This examination concentrates on the beginnings of Neoclassicism and explores the philosophical and scientific underpinnings of the Enlightenment, in which Pajou played an important part. This publication, which accompanies a major exhibition at the Musee du Louvre, Paris, and The Metropolitan Museum of Art, New York, presents to both the scholar and the general reader a great artist who has at last received his due. The volume is lavishly illustrated and contains a detailed chronology, a short history of the artist's critical reputation, an exhaustive bibliography, and a complete index.
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