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"The autobiography of a nation" : the 1951 Festival of Britain

Author: Becky Conekin
Publisher: Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2003.
Series: Studies in design.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This study of the 1951 Festival of Britain examines how Britain and Britishness were portrayed in the exhibitions and events, covering the festival's history, historiography and purpose, representations of the future and past, the role of London and the 'local', and the British Empire and legacy.
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Additional Physical Format: Online version:
Conekin, Becky.
Autobiography of a nation".
Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2003
(OCoLC)645831564
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Becky Conekin
ISBN: 0719060605 9780719060601 0719060591 9780719060595
OCLC Number: 50783359
Description: xii, 260 pages : illustrations ; 24 cm.
Contents: List of IllustrationsAcknowledgementsSection 1: Introducing the Festival1. The Background: history and historiography2. The Festival's People and PurposesSection 2: Time3. The Festival's representations of the future4. The Festival's representations of the pastSection 3: Place5. London-based representations of the metropole and the 'regions'6. The role of 'the local' in the Festival7. The place that was almost absent: the British Empire8. The place of escape and edification: the Battersea Pleasure GardensSection 4: Conclusion9. Conclusion: The Festival and its legacySelect BibiliographyAppendicesIndex -- .
Series Title: Studies in design.
Responsibility: Becky E. Conekin.
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Abstract:

First full-length study on the 1951 Festival of Britain. An examination of how Britain and Britishness were portrayed in the 1951's Festival's exhibitions and events. Covers the Festival's history  Read more...

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"The autobiography of a nation assembles an impressive array of evidence and argument for judging this fascinating moment in British postwar cultural history. Uniting the best of history and cultural Read more...

 
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