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Avant garde short subjects from France

Author: Abel Gance; Marcel Duchamp; Man Ray; Jean Renoir; Germaine Dulac
Publisher: [S.l.] : Released by Facet Video, 198-?
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
In the Gance film a mad scientist discovers a sneezing powder that changes the shape of anything it touches. The Duchamp is a Dada film based on rotating circles and spirals interlaced by puns in French. Man Ray uses light patterns from rotating objects to exhibit his early Dadaistic affiliations. Partially filmed at the villa, Emakbakia which in Basque means leave me alone. Ray's second film portrays one man's  Read more...
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Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Abel Gance; Marcel Duchamp; Man Ray; Jean Renoir; Germaine Dulac
OCLC Number: 20067690
Notes: Silent films with music score.
Description: 1 videocassette (VHS) (108 min.) : si., b&w ; 1/2 in.
Contents: La Folie du Docteur Tube (1914) / Abel Gance --
Anemic Cinema (1926) / Marceel Duchamp --
Emak Bakia (1927) /Man Ray --
L'Etoile de Mer (1928) / Man Ray --
Charleston (1927) / Jean Renoir --
La Souriante Madame Beudot (1922) / Germaine Dulac.
Other Titles: Folie du Docteur Tube.
Anemic cinema.
Emak Bakia.
Etoile de mer.
Charleston.
Souriante Madame Beudet.

Abstract:

In the Gance film a mad scientist discovers a sneezing powder that changes the shape of anything it touches. The Duchamp is a Dada film based on rotating circles and spirals interlaced by puns in French. Man Ray uses light patterns from rotating objects to exhibit his early Dadaistic affiliations. Partially filmed at the villa, Emakbakia which in Basque means leave me alone. Ray's second film portrays one man's difficulty in becoming committed to a woman. Astarfish symbolizes his yearning for sincere beauty without hidden, destructive qualities.

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Primary Entity

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