Video recordings for the hearing impaired
|提及的人：||Melvin Van Peebles; Melvin Van Peebles|
Mario Van Peebles; Dennis Haggerty; Joy Bryant; T K Carter; Terry Crews; Ossie Davis; David Alan Grier; Nia Long; Paul Rodriguez; Saul Rubinek; Vincent Schiavelli; Tyler Bates; Melvin Van Peebles; Sony Pictures Classics (Firm); Showtime Independent Films.; MVP Filmz.; Columbia TriStar Home Entertainment (Firm)
|语言注释：||In English with optional French, Spanish and Portuguese subtitles; closed-captioned.|
|注意：||Based on the book "Sweet sweetback's baadasssss song" by Melvin Van Peebles.
Special features: commentary with Mario and Melvin Van Peebles; "American Cinematheque Q & A with Melvin Van Peebles" featurette; "The premiere" featurette; the making-of 'Baadasssss!; "Melvin catches a bug" Easter egg.
|制作人员：||Director of photography, Robert Primes ; editors, Anthony Miller, Nneka Goforth ; music composer, Tyler Bates ; costume designer, Kara Saun ; production designer, Alan E. Muraoka.|
|演员名单:||Joy Bryant, T.K. Carter, Terry Crews, Ossie Davis, David Alan Grier, Nia Long, Paul Rodriguez, Saul Rubinek, Vincent Schiavelli, Khleo Thomas, Mario Van Peebles, Karimah Westbrook, Rainn Wilson.|
|目标对象：||MPAA rating: R; for pervasive language and some strong sexuality/nudity.|
|描述：||1 videodisc (109 min.) : sd., col. ; 4 3/4 in.|
|详述：||DVD, NTSC, region 1, widescreen presentation; Dolby Digital.|
How to get the man's foot outta your ass
|责任：||Sony Pictures Classics, Showtime Independent Films presents a MVP Filmz production, a Mario Van Peebles film ; produced and directed by Mario Van Peebles ; screenplay by Mario Van Peebles & Dennis Haggerty.|
A candid portrait of Melvin Van Peeble's struggles as a young, black director during the society-shifting 70's. Determined to make a film that matters, Melvin deals with two-faced backers, a rag-tag crew, threatening creditors, and various shades of Hollywood hypocrisy. With everything on the line, his only choice is to stick to his guns and do whatever it takes to get his neo-blaxploitation epic to the audience for which it was envisioned.