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Bach's cycle, Mozart's arrow : an essay on the origins of musical modernity

Author: Karol Berger
Publisher: Berkeley : University of California Press, ©2007.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Berger, Karol, 1947-
Bach's cycle, Mozart's arrow.
Berkeley : University of California Press, ©2007
(DLC) 2006029140
(OCoLC)71244015
Named Person: Johann Sebastian Bach; Wolfgang Amadeus Mozart; Johann Sebastian Bach; Wolfgang Amadeus Mozart; Johann Sebastian Bach; Wolfgang Amadeus Mozart
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Karol Berger
ISBN: 9780520933699 0520933699
OCLC Number: 558876160
Notes: "Simpson, imprint in humanities."
Description: 1 online resource (xi, 420 pages) : illustrations, music
Contents: Prelude : L'Orfeo, or the anxiety of the moderns --
Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time --
Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology --
Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns --
Postlude : between utopia and melancholy : Beethoven and the aesthetic state.
Responsibility: Karol Berger.

Abstract:

Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.

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