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Bacon Picasso : the life of images

Verfasser/in: Anne Baldassari; Réunion des musées nationaux (France); Musée Picasso (Paris, France)
Verlag: Paris : Flammarion, 2005.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"Francis Bacon's dedication to the medium of painting was the direct result of his multifaceted relationship with the art of Pablo Picasso. After viewing an exhibition on Picasso in 1927 at the Calerie Paul Rosenberg in Paris, Bacon developed an obsession with Picasso's art that would continually manifest itself in his own oeuvre." "This groundbreaking study examines Picasso's versatile influence on the work of  Weiterlesen…
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Gattung/Form: Criticism, interpretation, etc
Exhibition catalogs
Ausstellung
Paris (2005)
Exhibitions
Physisches Format Online version:
Baldassari, Anne.
Bacon Picasso.
Paris : Flammarion, 2005
(OCoLC)607723983
Name: Pablo Picasso; Francis Bacon; Pablo Picasso; Pablo Picasso; Francis Bacon; Francis Bacon; Pablo Picasso; Pablo Picasso; Francis Bacon; Francis Bacon; Pablo Picasso
Dokumenttyp: Buch
Alle Autoren: Anne Baldassari; Réunion des musées nationaux (France); Musée Picasso (Paris, France)
ISBN: 2080304860 9782080304865 2711849988 9782711849987
OCLC-Nummer: 62712321
Anmerkungen: 'This exhibition was organized by the Réunion des Musées Nationaux and the Musée Picasso, Paris'--t.p. verso.
Mitwirkende: Text by Anne Baldassari.
Beschreibung: 237 pages : illustrations (some color), portraits (some color) ; 29 cm
Inhalt: Francis Bacon in progress --
"Work makes work" --
1. Paris, 1927-28: a journey of initiation --
2. London, 1929-37: the phantom studios --
3. 1936-44: crucifixions --
Velázquez, Picasso, Bacon: in the name of the Father?
Verfasserangabe: [Anne Baldassari ; translated from the French by David Radzinowicz].
Weitere Informationen:

Abstract:

"Francis Bacon's dedication to the medium of painting was the direct result of his multifaceted relationship with the art of Pablo Picasso. After viewing an exhibition on Picasso in 1927 at the Calerie Paul Rosenberg in Paris, Bacon developed an obsession with Picasso's art that would continually manifest itself in his own oeuvre." "This groundbreaking study examines Picasso's versatile influence on the work of Bacon through four common themes: the crucifixion, the embrace, the the sereum, and the studio self-portrait. The volume's stunning side-by-side presentation of the two artists' compositions which assembles and assesses material from prestigious international collections and from Bacon's previously unpublished archives dedicated to Picasso - demonstrates the English painter's often dramatic appropriation of Picasso's work into his own art."--Jacket.

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