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Bacon Picasso : the life of images

Autor: Anne Baldassari; Réunion des musées nationaux (France); Musée Picasso (Paris, France)
Editora: Paris : Flammarion, 2005.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Francis Bacon's dedication to the medium of painting was the direct result of his multifaceted relationship with the art of Pablo Picasso. After viewing an exhibition on Picasso in 1927 at the Calerie Paul Rosenberg in Paris, Bacon developed an obsession with Picasso's art that would continually manifest itself in his own oeuvre." "This groundbreaking study examines Picasso's versatile influence on the work of  Ler mais...
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Detalhes

Gênero/Forma: Ausstellung
Paris (2005)
Criticism, interpretation, etc
Exhibition catalogs
Exhibitions
Formato Físico Adicional: Online version:
Baldassari, Anne.
Bacon Picasso.
Paris : Flammarion, 2005
(OCoLC)607723983
Pessoa Denominada: Pablo Picasso; Francis Bacon; Pablo Picasso; Pablo Picasso; Francis Bacon; Francis Bacon; Pablo Picasso; Pablo Picasso; Francis Bacon; Francis Bacon; Pablo Picasso
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Anne Baldassari; Réunion des musées nationaux (France); Musée Picasso (Paris, France)
ISBN: 2080304860 9782080304865 2711849988 9782711849987
Número OCLC: 62712321
Notas: 'This exhibition was organized by the Réunion des Musées Nationaux and the Musée Picasso, Paris'--t.p. verso.
Créditos: Text by Anne Baldassari.
Descrição: 237 p. : ill. (some col.), ports. (some col.) ; 29 cm.
Conteúdos: Francis Bacon in progress --
"Work makes work" --
1. Paris, 1927-28: a journey of initiation --
2. London, 1929-37: the phantom studios --
3. 1936-44: crucifixions --
Velázquez, Picasso, Bacon: in the name of the Father?
Responsabilidade: [Anne Baldassari ; translated from the French by David Radzinowicz].
Mais informações:

Resumo:

"Francis Bacon's dedication to the medium of painting was the direct result of his multifaceted relationship with the art of Pablo Picasso. After viewing an exhibition on Picasso in 1927 at the Calerie Paul Rosenberg in Paris, Bacon developed an obsession with Picasso's art that would continually manifest itself in his own oeuvre." "This groundbreaking study examines Picasso's versatile influence on the work of Bacon through four common themes: the crucifixion, the embrace, the the sereum, and the studio self-portrait. The volume's stunning side-by-side presentation of the two artists' compositions which assembles and assesses material from prestigious international collections and from Bacon's previously unpublished archives dedicated to Picasso - demonstrates the English painter's often dramatic appropriation of Picasso's work into his own art."--BOOK JACKET.

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