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Ballet Hispanico : influence of Hispanic heritage

Author: Graciela DanieleCelia IpiotisGeorge FaisonAntonio SantaellaJeffrey C BushAll authors
Publisher: New York, NY : Arc Videodance, 1990, ©1991.
Series: Eye on dance, 311.
Edition/Format:   Video : Videocassette : NTSC color broadcast system : U-matic   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
Tina Ramirez and Graciela Daniele discuss Ballet Hispanico's role in helping Latino dancers maintain and take pride in their ethnic identity. Ramirez recalls her studies with the inspirational teacher Carmelita Maracci, also of Hispanic descent. She discusses her company's use of flamenco dancing as a means of giving young dancers performing experience, and describes how the company's repertory retains its Hispanic  Read more...
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Details

Genre/Form: Dance
Interviews
Video
Named Person: Tina Ramirez; Graciela Daniele; Celia Ipiotis; Carmelita Maracci
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Graciela Daniele; Celia Ipiotis; George Faison; Antonio Santaella; Jeffrey C Bush; Richard Sheridan; ARC Videodance (Firm)
OCLC Number: 34402173
Notes: Title from container.
Credits: Program director/host, Celia Ipiotis ; television director, Richard Sheridan ; technical supervisor, Jeff Bush.
Performer(s): Guests: Tina Ramirez, founder of Ballet Hispanico, and choreographer Graciela Daniele.
Event notes: Recorded on November 19, 1990 ; telecast on WNYC/TV 31, New York, on April 1, 1991.
Description: 1 videocassette (29 min.) : sound, color NTSC ; 3/4 in. (U-matic).
Series Title: Eye on dance, 311.
Responsibility: produced by Celia Ipiotis and Jeff Bush.

Abstract:

Tina Ramirez and Graciela Daniele discuss Ballet Hispanico's role in helping Latino dancers maintain and take pride in their ethnic identity. Ramirez recalls her studies with the inspirational teacher Carmelita Maracci, also of Hispanic descent. She discusses her company's use of flamenco dancing as a means of giving young dancers performing experience, and describes how the company's repertory retains its Hispanic heritage. Daniele talks about the aesthetic vision she shares with Ramirez and her experience of working with Ballet Hispanico on Stages and Cada noche--tango, excerpts from which are screened. Other topics include the special qualities of Hispanic dancers, Daniele's work as a choreographer-director of Broadway musicals, and auditions for Ballet Hispanico. Additional dance excerpts depict George Faison's Cafe America and Antonio Santaella's Tanquillo de Cadiz, the latter performed by Ballet Hispanico School of Dance.

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