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Balthus

Author: Stanislas Klossowski de Rola; Balthus
Publisher: New York : H.N. Abrams, 2002.
Edition/Format:   Print book : English : Expanded edView all editions and formats
Database:WorldCat
Summary:
"With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar  Read more...
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Details

Genre/Form: Catalogs
Named Person: Balthus; Balthus
Document Type: Book
All Authors / Contributors: Stanislas Klossowski de Rola; Balthus
ISBN: 0810921197 9780810921191
OCLC Number: 49724668
Description: 160 pages, 118 pages of plates : illustrations (chiefly color) ; 28 cm
Responsibility: Stanislas Klossowski de Rola.

Abstract:

"With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and a sense of mystery that betray more modern influences." "Balthus was an artist of unflinching integrity. Out of step with the modern movement, he pursued his artistic vision in relative obscurity, hailed by only a tiny group of connoisseurs, until the 1960s. By the mid-1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps." "Following his father's death, Stanislas Klossowski de Rola has written a new introduction to this book, which presents Balthus's most important paintings. New to this expanded edition are Balthus's last painting, The Waiting, and the controversial Guitar Lesson from 1934. Rare photographs show the young Balthus in his studio, while more recent images by the legendary photographer Henri Cartier-Bresson, the artist's friend, complete this tribute to one of the great artists of recent times."--Jacket.

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    schema:reviewBody ""With the death of Balthus in February 2001, the world lost one of the greatest painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin, and Paris. Brilliantly precocious, he developed early his dual fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and a sense of mystery that betray more modern influences." "Balthus was an artist of unflinching integrity. Out of step with the modern movement, he pursued his artistic vision in relative obscurity, hailed by only a tiny group of connoisseurs, until the 1960s. By the mid-1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps." "Following his father's death, Stanislas Klossowski de Rola has written a new introduction to this book, which presents Balthus's most important paintings. New to this expanded edition are Balthus's last painting, The Waiting, and the controversial Guitar Lesson from 1934. Rare photographs show the young Balthus in his studio, while more recent images by the legendary photographer Henri Cartier-Bresson, the artist's friend, complete this tribute to one of the great artists of recent times."--Jacket." ;
    .


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