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Barbara Hepworth : a retrospective

著者: Penelope CurtisAlan G WilkinsonBarbara HepworthTate Gallery Liverpool.Yale Center for British Art.すべての著者
出版: London : Tate Gallery Publications, ©1994.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Barbara Hepworth's career spanned five decades, from 1925 to 1975. Her style moved from figuration, through geometric and organic abstraction, to the internationally acclaimed grandeur of her large-scale, post-war work. Her best known sculpture is associated with the landscape around St. Ives in Cornwall: 'I used colour and strings in many of the carvings ... The colour plunged me into the depths of water, caves or  続きを読む
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ジャンル/形式: Exhibition catalogs
Exhibitions
Expositions
その他のフォーマット: Online version:
Curtis, Penelope.
Barbara Hepworth.
London : Tate Gallery Publications, ©1994
(OCoLC)624382536
関連の人物: Barbara Hepworth; Barbara Hepworth, Dame; Barbara Hepworth, Dame; Barbara Hepworth, Dame; Barbara Hepworth
ドキュメントの種類: 図書
すべての著者/寄与者: Penelope Curtis; Alan G Wilkinson; Barbara Hepworth; Tate Gallery Liverpool.; Yale Center for British Art.; Art Gallery of Ontario.
ISBN: 185437141X 9781854371416
OCLC No.: 31329843
注記: Published to accompany an exhibition organised by Tate Gallery Liverpool and the Art Gallery of Ontario, Toronto, 1994-1995.
"Tate Gallery Liverpool, 14 September-4 December 1994; Yale Center for British Art, New Haven, 4 February-9 April 1995; Art Gallery of Ontario, Toronto, 19 May-7 August 1995."
物理形態: 168 pages : illustrations (some color), portraits ; 30 cm
コンテンツ: Barbara Hepworth and the Avant Garde of the 1920s / Penelope Curtis --
The 1930s: Constructive Forms and Poetic Structure / Alan G. Wilkinson --
Cornwall and the Sculpture of Landscape: 1939-1975 / Alan G. Wilkinson --
The Artist in Post-War Britain / Penelope Curtis --
A Chronology of Public Commissions.
責任者: Penelope Curtis, Alan G. Wilkinson.

概要:

Barbara Hepworth's career spanned five decades, from 1925 to 1975. Her style moved from figuration, through geometric and organic abstraction, to the internationally acclaimed grandeur of her large-scale, post-war work. Her best known sculpture is associated with the landscape around St. Ives in Cornwall: 'I used colour and strings in many of the carvings ... The colour plunged me into the depths of water, caves or shadows deeper than the carved concavities themselves. The strings were the tension I felt between myself and the sea, the wind or the hills.'. This publication focuses on Hepworth's unique carvings. It reassesses her reputation in the light of attention recently paid to her contemporaries, Ben Nicholson and Henry Moore and offers the opportunity to look afresh at a major British artist.

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