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Baryshnikov

Autore: Mario PrizekHarry RaskyErik BruhnHerman Severin LøvenskioldCelia FrancaTutti gli autori
Editore: Canada : Canadian Broadcasting Corporation, ©1974.
Edizione/Formato:   Video : Videocassette : Sistema di trasmissione a colori NTSC : U-matic   Materiale visivo : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Documentary on dancer Mikhail Baryshnikov, recorded soon after he defected to the West in Toronto. The narration draws parallels between the ballet La sylphide and Baryshnikov's real-life decision to leave the material security of the Soviet ballet world for the artistic adventures and challenges represented by the West. Performances recorded prior to his defection show him dancing variations from Don Quixote and  Per saperne di più…
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Dettagli

Genere/forma: Dance
Documentaries and factual films and programs
Interviews
Video
Persona incaricata: Mikhail Baryshnikov; Mikhail Baryshnikov; Veronica Tennant; Celia Franca; Joanne Nisbet; Harry Rasky; Lorne Greene; Mikhail Baryshnikov; Celia Franca; Lorne Greene; Joanne Nisbet; Harry Rasky; Veronica Tennant
Tipo materiale: Videorecording
Tipo documento: Materiale visivo
Tutti gli autori / Collaboratori: Mario Prizek; Harry Rasky; Erik Bruhn; Herman Severin Løvenskiold; Celia Franca; David Haber; George Crum; Canadian Broadcasting Corporation.
Numero OCLC: 79780842
Riconoscimenti: Musical director and conductor, George Crum ; consultant, Celia Franca. Credits for La sylphide: choreography, Erik Bruhn ; music, H. Løvenskjold.
Interprete(i): Narrator: Lorne Greene.
Danced by Mikhail Baryshnikov.
Danced by the National Ballet of Canada (founder, Celia Franca ; artistic director, David Haber): Veronica Tennant and others.
Interviewer: Harry Rasky.
Descrizione: 1 videocassette (60 min.) : sd., col. NTSC ; 3/4 in. (U-matic)
Responsabilità: Canadian Broadcasting Corporation ; directed by Mario Prizek ; produced and written by Harry Rasky.

Abstract:

Documentary on dancer Mikhail Baryshnikov, recorded soon after he defected to the West in Toronto. The narration draws parallels between the ballet La sylphide and Baryshnikov's real-life decision to leave the material security of the Soviet ballet world for the artistic adventures and challenges represented by the West. Performances recorded prior to his defection show him dancing variations from Don Quixote and The sleeping beauty, Act III. Following his defection, he is seen with members of the National Ballet of Canada in company class, taught by balletmistress Joanne Nisbet, and in rehearsals for La sylphide, supervised by Celia Franca. Performance excerpts recorded for television depict scenes from Acts I and II of La sylphide. Speaking through an interpreter, Baryshnikov discusses his life and training in Russia, his reasons for and feelings about his defection, the symbolism of La sylphide, and dancers Rudolf Nureyev and Valery Panov, whose defections preceded his.

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