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Baudelaire and the aesthetics of bad faith

Autor: Susan Blood
Editora: Stanford, Calif. : Stanford University Press, ©1997.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations - by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from
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Detalhes

Pessoa Denominada: Charles Baudelaire; Charles Baudelaire; Charles Baudelaire
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Susan Blood
ISBN: 0804728097 9780804728096
Número OCLC: 35128078
Descrição: 208 pages ; 23 cm
Conteúdos: 1. The Two Baudelaires: Valery's Canonization of Les Fleurs du mal --
2. Defining and Defending Poetry: Sartre Versus Bataille --
3. The Caricatural Mechanism in Baudelaire's Poetry --
4. The Allegorical Architecture of Les Fleurs du mal --
5. Baudelaire Against Photography: An Allegory of Old Age.
Responsabilidade: Susan Blood.
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Resumo:

This is a study of Baudelaire's canonization in the critical debates of the 20th century, focusing particularly on his role in the development of a modernist consciousness.  Ler mais...

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"This ambitious and important book addresses the broader issue of modernism in relation to the difficult question of its historicity. It should be of great interest to those concerned with specific Ler mais...

 
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    schema:description "For the post-World War I period, the author focuses on Paul Valery's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history."@en ;
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