passa ai contenuti
Becoming film literate : the art and craft of motion pictures Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Becoming film literate : the art and craft of motion pictures

Autore: Vincent LoBrutto
Editore: Westport, Conn. : Praeger, ©2005.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium.
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Informazioni aggiuntive sul formato: Online version:
LoBrutto, Vincent.
Becoming film literate.
Westport, Conn. : Praeger, c2005
(OCoLC)607379438
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Vincent LoBrutto
ISBN: 0275981444 9780275981440
Numero OCLC: 57169982
Descrizione: xviii, 384 p. : ill. ; 25 cm.
Contenuti: Non-linear storytelling: Amores Perros. --
Transformation of the American comedy: Annie Hall. --
Tableau narrative structure and sound design: Apocalypse now. --
The body as cinematic landscape: L'Avventura. --
Editing --
Russian montage: The battleship Potemkin. --
Italian neorealism: The bicycle thief. --
Production design: Blade runner. --
Dream state: Blue velvet. --
The period film as mirror for the present: Bonnie and Clyde. --
Expressionism in cinema: The cabinet of Dr. Caligari. --
Classical Hollywood film style: Casablanca. --
Surrealism in cinema: Un chien Andalou. --
The authorial voice: Citizen Kane. --
Shot structure: The crowd. --
Thematic unity: The Decalogue. --
Mythopoetic film: Dog star man. --
Political objectives through cinematic storytelling: Do the right thing. --
Film noir: Double indemnity. --
The personal film: 8 1/2. --
Animation and music: Fantasia. --
An American musical: 42nd Street. --
New York filmmaking: The French connection. --
Period comedy: The general. --
Parallel storytelling: Intolerance. --
French New Wave: Jules and Jim. --
The epic: Lawrence of Arabia. --
The political thriller: The Manchurian candidate. --
Self-referential cinema: Man with a movie camera. --
Architecture in production design: Metropolis. --
Roots of documentary film: Nanook of the North. --
Multiplot, multicharacter narrative: Nashville. --
Method acting: On the waterfront. --
The close-up: The passion of Joan of Arc. --
Dark side of American cinema: Psycho. --
Subtext in personal expression: Raging bull. --
Multiple point-of-view narrative: Rashomon. --
Widescreen filmmaking: Rebel without a cause. --
Camera movement as metaphor: La Ronde. --
Mise-en-scène: Rules of the game. --
Direct cinema: Salesman. --
The Freudian western: The searchers. --
Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. --
Symbolism in the cinema: The seventh seal. --
Art of the B movie: Shock corridor. --
Digital filmmaking: Star wars: Episode II --
Attack of the clones. --
Birth of a nonfiction film style: The thin blue line. --
Experimental narrative: 2001: a space odyssey. --
The essay film: Weekend. --
Screen violence as metaphor: The wild bunch. --
Independent filmmaking: A woman under the influence.
Responsabilità: Vincent LoBrutto ; foreword by Jan Harlan.
Maggiori informazioni:

Abstract:

Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. Illustrates important concepts such as, editing,  Per saperne di più…

Commenti

Recensioni editoriali

Sinossi editore

"This book has merit as an introduction to the science and language of cinema." - PublishersWeekly.com "To introduce students to the basic tools of cinema, LoBrutto (editing, production design and Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Le etichette di tutti gli utenti (49)

Vedi le etichette più popolari come: lista di etichette | nuvola di etichette

Documenti simili

Soggetti correlati:(4)

Liste di utenti con questo documento (6)

Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/57169982>
library:oclcnum"57169982"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/57169982>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2005"
schema:creator
schema:datePublished"2005"
schema:description"Non-linear storytelling: Amores Perros. -- Transformation of the American comedy: Annie Hall. -- Tableau narrative structure and sound design: Apocalypse now. -- The body as cinematic landscape: L'Avventura. -- Editing -- Russian montage: The battleship Potemkin. -- Italian neorealism: The bicycle thief. -- Production design: Blade runner. -- Dream state: Blue velvet. -- The period film as mirror for the present: Bonnie and Clyde. -- Expressionism in cinema: The cabinet of Dr. Caligari. -- Classical Hollywood film style: Casablanca. -- Surrealism in cinema: Un chien Andalou. -- The authorial voice: Citizen Kane. -- Shot structure: The crowd. -- Thematic unity: The Decalogue. -- Mythopoetic film: Dog star man. -- Political objectives through cinematic storytelling: Do the right thing. -- Film noir: Double indemnity. -- The personal film: 8 1/2. -- Animation and music: Fantasia. -- An American musical: 42nd Street. -- New York filmmaking: The French connection. -- Period comedy: The general. -- Parallel storytelling: Intolerance. -- French New Wave: Jules and Jim. -- The epic: Lawrence of Arabia. -- The political thriller: The Manchurian candidate. -- Self-referential cinema: Man with a movie camera. -- Architecture in production design: Metropolis. -- Roots of documentary film: Nanook of the North. -- Multiplot, multicharacter narrative: Nashville. -- Method acting: On the waterfront. -- The close-up: The passion of Joan of Arc. -- Dark side of American cinema: Psycho. -- Subtext in personal expression: Raging bull. -- Multiple point-of-view narrative: Rashomon. -- Widescreen filmmaking: Rebel without a cause. -- Camera movement as metaphor: La Ronde. -- Mise-en-scène: Rules of the game. -- Direct cinema: Salesman. -- The Freudian western: The searchers. -- Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. -- Symbolism in the cinema: The seventh seal. -- Art of the B movie: Shock corridor. -- Digital filmmaking: Star wars: Episode II -- Attack of the clones. -- Birth of a nonfiction film style: The thin blue line. -- Experimental narrative: 2001: a space odyssey. -- The essay film: Weekend. -- Screen violence as metaphor: The wild bunch. -- Independent filmmaking: A woman under the influence."@en
schema:description"Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/797239524>
schema:inLanguage"en"
schema:name"Becoming film literate : the art and craft of motion pictures"@en
schema:numberOfPages"384"
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA506541>

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.