컨텐츠로 이동
Becoming film literate : the art and craft of motion pictures 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

Becoming film literate : the art and craft of motion pictures

저자: Vincent LoBrutto
출판사: Westport, Conn. : Praeger, ©2005.
판/형식:   도서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium.
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

추가적인 물리적 형식: Online version:
LoBrutto, Vincent.
Becoming film literate.
Westport, Conn. : Praeger, c2005
(OCoLC)607379438
자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Vincent LoBrutto
ISBN: 0275981444 9780275981440
OCLC 번호: 57169982
설명: xviii, 384 p. : ill. ; 25 cm.
내용: Non-linear storytelling: Amores Perros. --
Transformation of the American comedy: Annie Hall. --
Tableau narrative structure and sound design: Apocalypse now. --
The body as cinematic landscape: L'Avventura. --
Editing --
Russian montage: The battleship Potemkin. --
Italian neorealism: The bicycle thief. --
Production design: Blade runner. --
Dream state: Blue velvet. --
The period film as mirror for the present: Bonnie and Clyde. --
Expressionism in cinema: The cabinet of Dr. Caligari. --
Classical Hollywood film style: Casablanca. --
Surrealism in cinema: Un chien Andalou. --
The authorial voice: Citizen Kane. --
Shot structure: The crowd. --
Thematic unity: The Decalogue. --
Mythopoetic film: Dog star man. --
Political objectives through cinematic storytelling: Do the right thing. --
Film noir: Double indemnity. --
The personal film: 8 1/2. --
Animation and music: Fantasia. --
An American musical: 42nd Street. --
New York filmmaking: The French connection. --
Period comedy: The general. --
Parallel storytelling: Intolerance. --
French New Wave: Jules and Jim. --
The epic: Lawrence of Arabia. --
The political thriller: The Manchurian candidate. --
Self-referential cinema: Man with a movie camera. --
Architecture in production design: Metropolis. --
Roots of documentary film: Nanook of the North. --
Multiplot, multicharacter narrative: Nashville. --
Method acting: On the waterfront. --
The close-up: The passion of Joan of Arc. --
Dark side of American cinema: Psycho. --
Subtext in personal expression: Raging bull. --
Multiple point-of-view narrative: Rashomon. --
Widescreen filmmaking: Rebel without a cause. --
Camera movement as metaphor: La Ronde. --
Mise-en-scène: Rules of the game. --
Direct cinema: Salesman. --
The Freudian western: The searchers. --
Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. --
Symbolism in the cinema: The seventh seal. --
Art of the B movie: Shock corridor. --
Digital filmmaking: Star wars: Episode II --
Attack of the clones. --
Birth of a nonfiction film style: The thin blue line. --
Experimental narrative: 2001: a space odyssey. --
The essay film: Weekend. --
Screen violence as metaphor: The wild bunch. --
Independent filmmaking: A woman under the influence.
책임: Vincent LoBrutto ; foreword by Jan Harlan.
더 많은 정보:

초록:

Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. Illustrates important concepts such as, editing,  더 읽기…

리뷰

편집자의 리뷰

출판사 줄거리

"This book has merit as an introduction to the science and language of cinema." - PublishersWeekly.com "To introduce students to the basic tools of cinema, LoBrutto (editing, production design and 더 읽기…

 
사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

모든 사용자 태그 (49)

가장 인기있는 태그 보기 태그 리스트 | tag cloud

유사 항목

관련 주제:(4)

이 항목을 가지고 있는 사용자 목록 (6)

요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/57169982>
library:oclcnum"57169982"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2005"
schema:creator
schema:datePublished"2005"
schema:description"Non-linear storytelling: Amores Perros. -- Transformation of the American comedy: Annie Hall. -- Tableau narrative structure and sound design: Apocalypse now. -- The body as cinematic landscape: L'Avventura. -- Editing -- Russian montage: The battleship Potemkin. -- Italian neorealism: The bicycle thief. -- Production design: Blade runner. -- Dream state: Blue velvet. -- The period film as mirror for the present: Bonnie and Clyde. -- Expressionism in cinema: The cabinet of Dr. Caligari. -- Classical Hollywood film style: Casablanca. -- Surrealism in cinema: Un chien Andalou. -- The authorial voice: Citizen Kane. -- Shot structure: The crowd. -- Thematic unity: The Decalogue. -- Mythopoetic film: Dog star man. -- Political objectives through cinematic storytelling: Do the right thing. -- Film noir: Double indemnity. -- The personal film: 8 1/2. -- Animation and music: Fantasia. -- An American musical: 42nd Street. -- New York filmmaking: The French connection. -- Period comedy: The general. -- Parallel storytelling: Intolerance. -- French New Wave: Jules and Jim. -- The epic: Lawrence of Arabia. -- The political thriller: The Manchurian candidate. -- Self-referential cinema: Man with a movie camera. -- Architecture in production design: Metropolis. -- Roots of documentary film: Nanook of the North. -- Multiplot, multicharacter narrative: Nashville. -- Method acting: On the waterfront. -- The close-up: The passion of Joan of Arc. -- Dark side of American cinema: Psycho. -- Subtext in personal expression: Raging bull. -- Multiple point-of-view narrative: Rashomon. -- Widescreen filmmaking: Rebel without a cause. -- Camera movement as metaphor: La Ronde. -- Mise-en-scène: Rules of the game. -- Direct cinema: Salesman. -- The Freudian western: The searchers. -- Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. -- Symbolism in the cinema: The seventh seal. -- Art of the B movie: Shock corridor. -- Digital filmmaking: Star wars: Episode II -- Attack of the clones. -- Birth of a nonfiction film style: The thin blue line. -- Experimental narrative: 2001: a space odyssey. -- The essay film: Weekend. -- Screen violence as metaphor: The wild bunch. -- Independent filmmaking: A woman under the influence."@en
schema:description"Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/797239524>
schema:inLanguage"en"
schema:name"Becoming film literate : the art and craft of motion pictures"@en
schema:numberOfPages"384"
schema:publication
schema:publisher
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA506541>
wdrs:describedby

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.