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Beethoven the creator : the great creative epochs: from the Eroica to the Appassionata

ผู้แต่ง: Romain Rolland; Ernest Newman
สำนักพิมพ์: New York : Dover Publications, 1964.
ชุด: Dover books on music.
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
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Each great epoch of humanity has its own, its Son of God, its human archetype, whose glance, whose gestures, and whose word are the common possession of millions of the living. The whole being of a Beethoven -- his sensibility, his conception of the world, the form of his intelligence and of his will, the laws of his construction, his ideology, as well as the substance of his body and his temperament -- everything
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รูปแบบทางกายภาพเพิ่มเติม Online version:
Rolland, Romain, 1866-1944.
Beethoven the creator.
New York : Dover Publications, 1964
(OCoLC)644316871
ชื่อบุคคล: Ludwig van Beethoven; Ludwig van Beethoven
ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Romain Rolland; Ernest Newman
OCLC Number: 911120
หมายเหตุถาษา: Translation of Beethoven: les grandes époques créatrices.
หมายเหตุ: Translation of Beethoven: les grandes époques créatrices.
"Unabridged republication of the English translation first published by Victor Gollancz, Limited, in 1929"--Title page verso.
"Contains a facsimile letter from the first American edition"--Title page verso.
คำอธิบาย: xviii, 392 pages, [36] pages of plates : illustrations, portraits, facsimiles, music ; 22 cm.
สารบัญ: Introduction --
1800 : portrait of Beethoven in his thirtieth year --
The Eroica --
The Appassionata --
Leonora --
Breuning wrote on 2nd June, 1806 --
To the reader --
Appendices. I. Beethoven's deafness --
II. A Beethoven sketch-book of 1800 --
III. The Brunsvik sisters and their cousins of the Moonlight.
ชื่อชุด: Dover books on music.
ชื่อเรื่องอื่น: Beethoven: les grandes époques créatrices.
ความรับผิดชอบ: by Romain Rolland ; translated by Ernest Newman.

บทคัดย่อ:

Each great epoch of humanity has its own, its Son of God, its human archetype, whose glance, whose gestures, and whose word are the common possession of millions of the living. The whole being of a Beethoven -- his sensibility, his conception of the world, the form of his intelligence and of his will, the laws of his construction, his ideology, as well as the substance of his body and his temperament -- everything is representative of a certain European epoch. - Introduction.

In the period from 1803 to 1806, Beethoven composed three major works that were to remain, in his own eyes, the culminating peaks of his genius: the "Eroica" Symphony, the Appassionata, and "Leonora," his only opera (subsequently known as "Fidelio"). Each is a milestone in Beethoven's development, and, taken as a group, they represent the most vital creative period in his career. In this book, that brief period is surveyed by one of the world's greatest writers on music (see his Essays on Music, Dover $1.50). A Nobel Prize winner for literature, Romain Rolland understood Beethoven as few others have, and he has written about him in a way that has established this book as a classic in music appreciation and history. - nthdegree books.

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