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| Genre/Form: | Foreign films Feature films Drama |
|---|---|
| Material Type: | Videorecording |
| Document Type: | Visual material |
| All Authors / Contributors: |
Martine Marignac; Pascal Bonitzer; Christine Laurent; Jacques Rivette; Michel Piccoli; Jane Birkin; Emmanuelle Béart; Marianne Denicourt; David Bursztein; Gilles Arbona; Marie Belluc; Marie-Claude Roger; Leila Remili; William Lubtchansky; Nicole Lubtchansky; Igor Stravinsky; Laurence Struz; Emmanuel de Chauvigny; Honoré de Balzac; Pierre Grise Productions.; George Reinhart Productions.; Studio Canal+.; New Yorker Video (Firm) |
| ISBN: | 1567303536 9781567303537 |
| OCLC Number: | 54839012 |
| Language Note: | French dialogue, English subtitles. |
| Notes: | Originally released as a motion picture in 1991. Based on the novella "Le chef-d'oeuvre inconnu" by Balzac. Special features: interview with director Jacques Rivette; interview with co-writers Pascal Bonitzer and Christine Laurent; filmographies; original theatrical trailer. |
| Credits: | Director of photography, William Lubtchansky ; editor, Nicole Lubtchansky ; original music, Igor Stravinsky ; costume designer, Laurence Struz ; production designer, Emmanuel de Chauvigny. |
| Cast: | Michel Piccoli, Jane Birkin, Emmanuelle Béart, Marianne Denicourt, David Bursztein, Gilles Arbona, Marie Belluc, Marie-Claude Roger, Leila Remili. |
| Target Audience: | MPAA rating: Not rated. |
| Description: | 2 videodiscs (ca. 240 min.) : sd., col. ; 4 3/4 in. |
| Details: | DVD. Region 1, full screen (1.33:1) presentation; Dolby Digital 2.0 stereo. |
| Other Titles: | Beautiful troublemaker |
| Responsibility: | Pierre Grisé Productions ; George Reinhart Productions ; Canal+, a film by Jacques Rivette ; producer, Martine Marignac ; dialogue, Pascal Bonitzer, Christine Laurent ; director Jacques Rivette. |
Abstract:
An artist near the end of his career finds new inspiration in a young model. A famous and well-respected artist who lives in a comfortable estate in the French countryside, at the age of 60, considers his career as a painter to be over. He no longer feels inspired to create, and his last attempt at a major work, a nude study of his wife Liza, has sat unfinished for ten years. His protégé suggests a more inspiring subject, who exchanges ideas and opinions, as he methodically attempts to create a final masterpiece.
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