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Ben Jonson and theatre : performance, practice, and theory

Author: Richard Allen Cave; Elizabeth Schafer; Brian Woolland
Publisher: London ; New York : Routledge, 1999.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
Database:WorldCat
Summary:
This collection of essays examines the Jonson canon from the viewpoint of the theatre practitioner. Bridging the divide between theory & practice it shows how his drama operates in performance and includes discussion with practitioners.
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Genre/Form: Kongress
Congresses
Named Person: Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson; Ben Jonson
Material Type: Conference publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Richard Allen Cave; Elizabeth Schafer; Brian Woolland
ISBN: 0415179807 9780415179805 0415179815 9780415179812 9780203981375 0203981375
OCLC Number: 39368464
Notes: "This book has grown out of a conference held at Reading University in January 1996"--Page [xiii].
Description: xiv, 223 pages : illustrations ; 24 cm
Contents: Who is Lovewit? What is he? / Andrew Gurr --
Script and performance ; Visualizing Jonson's text ; Designing for Jonson's plays ; Acting in Jonson--
a conversation with John Nettles and Simon Russell-Beale ; Directing Jonson / Richard Cave --
First encounters / Brian Woolland --
Jonson as Shakespeare's Other / Mick Jardine --
Contradictions ; Gift of silence / Brian Woolland --
Daughters of Ben / Elizabeth Schafer --
'Twill fit the players yet' : women and theatre in Jonson's late plays / Julie Sanders --
Jonson down under : an Australian Alchemist / Elizabeth Schafer.
Responsibility: [edited by] Richard Cave, Elizabeth Schafer, Brian Woolland.
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Abstract:

Looks at the Jonson canon from the point of view of the theatre practitioner. It bridges the theory/practice divide by debating how his drama operates in performance and includes discussion with and  Read more...

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"This is, in short, a book which cannot be easily pinned down or pigeon-holed, and which is all the more provocative as a result. It should appeal strongly to actors, directors, and theatre-goers, as Read more...

 
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